tag:blogger.com,1999:blog-7417177461553670362024-03-13T22:04:12.647-04:00Forty Proper Talesrob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.comBlogger22125tag:blogger.com,1999:blog-741717746155367036.post-54552930504417167102020-02-10T13:00:00.000-05:002020-02-10T13:00:02.686-05:00Proper Tales Press 40th Anniversary Essay: Rebecca Fishow<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-M1_I2kqQuSg/Xj8CYP4x4WI/AAAAAAAAg3s/RptsiqIJtJwvUqGLfprVRJnmNV0PNtX4ACLcBGAsYHQ/s1600/The%2BOpposite%2Bof%2BEntropy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1131" height="640" src="https://1.bp.blogspot.com/-M1_I2kqQuSg/Xj8CYP4x4WI/AAAAAAAAg3s/RptsiqIJtJwvUqGLfprVRJnmNV0PNtX4ACLcBGAsYHQ/s640/The%2BOpposite%2Bof%2BEntropy.jpg" width="451" /></a></div>
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<span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">In
2012, newly graduated from my MFA program, I left cold Syracuse, New York for
colder Montreal. I didn’t have much of a plan, or a clue. I simply knew that,
as a dual Canadian-U.S. citizen, who hadn’t ever lived in Canada, I wanted two
things: to experience and understand my Canadian roots, and to find a writing
community that would inspire, motivate, and teach.</span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">I
quickly fell in love with so much about Montreal— the </span><span lang="FR" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-ansi-language: FR;">arrondissement</span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">s,
and their unique personalities and busy street festivals. I fell in love with
the row houses, and their winding, exposed, staircases, which I couldn’t help
imagining as the city’s DNA, shooting up out of the ground.<span style="mso-spacerun: yes;"> </span>I loved the bagels. I loved the students,
banging on pots in protest. I loved the parks, which filled with people all
year around. I loved the dogs that donned little boots in winter. </span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span></div>
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<br /></div>
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<span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">Above
all, I loved the city’s artistic pulse. Brilliant murals, seemingly around
every corner. Festivals in Place Des Arts. Museums and galleries. I loved the
outdoor contests, and the sense that no matter where I found myself, here was
someone practicing the violin, sending notes melancholy into the air. There was
someone tucked into a studio, carefully stroking paint to a canvas. Dancers
were spinning stories with their agile bodies in converted factory spaces. And
at their desks, writers and poets were carefully choosing words that rendered
and questions the complications of world. </span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">I
was lucky enough to find some of my people— the writers— fairly quickly.
Classes at Concordia University led me to a passionate, vibrant, endlessly
talented, lot of them. We formed our own workshop group, read each others work.
We cooked dinners for each other, drank wine, and geeked out over books we were
reading. Some of us worked together on a new and exciting literary journal, <i>Cosmonaut’s
Avenue. </i>I learned a lot, and quickly, about the Canadian literary identity,
and<span style="mso-spacerun: yes;"> </span>I learned that there were certain
Canadian literary figures who were not only living legends, but the glue of the
community.</span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span></div>
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<br /></div>
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<span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">Stuart
Ross was one of these larger-than-life figures. Someone whom I’d heard of long
before I met. He seemed to be everybody’s friend, and many a young writers’
mentor. Writers sung praises for his poetry, and lauded his work with <i>Proper
Tales Press. </i>He seemed to be everywhere at once, a fixture of the Montreal
lit scene, but not a resident Montrealer. He reached across the entire Canadian
landscape.</span><i><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span></i></div>
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<span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">It
wasn’t until the night of <i>Cosmonaut Avenue’</i>s very first launch party,
2015, that I officially met the legend. We were both scheduled to read that
night, and true to form, I was nervous. I doubted my reading selection, while
sweating and sipping some overpriced cocktail. I was wasn’t up until the second
set, and, thankfully, Stuart Ross was scheduled for the first. What was I
expecting? I’m not sure anymore. But what I got was magical. </span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">His
words were at once profound and lighthearted, epiphanous and mundane. They told
everyday stories with a certain brand of surrealistic flair that got me line by
line. The man, himself, was quietly charming. Friendly, magnetic, and humble.
Listening to his words calmed and inspired me in the best possible way. </span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span></div>
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<br /></div>
<div class="BodyA">
<span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">That
night, I could tell straight away that Stuart and I shared a certain
sensibility. We were both concerned with exploring the alchemic under-workings
of reality, the sadly beautiful humor of the absurdity of life. We both liked
to get a little weird, a little sentimental. So I suppose it made sense that,
years later, after I’d moved back to the states, and Stuart Ross stumbled
across one of my published stories, he would reach out and ask to publish a
collection of my work through Proper Tales Press. I felt both honored and
grateful, and of course I said yes. </span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span></div>
<div class="BodyA">
<br /></div>
<div class="BodyA">
<span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">In
the year following, I came to better understand Stuart Ross, and his mission
for Proper Tales Press. I witnessed his unflinching commitment to championing
the work Canadian writers. I wondered at history of cultivating a platform, a
home, for literary misfits and </span><span lang="IT" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-ansi-language: IT;">poetic
eccentrics</span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">.
What he has been doing for the past forty years is truly an ideal, truly a
dream. Stuart Ross—Proper Tales Press— has been doing the very best kind of
work. Work that is nothing less than vibrant, essential.<span style="mso-spacerun: yes;"> </span>Work keeps the literary world honest and
luminous. Work that is quite simply undeniable.</span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span></div>
<div class="BodyA">
<br /></div>
<div class="BodyA">
<span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;">I’ll
drink an overpriced cocktail to that.</span><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"></span></div>
<div class="BodyA">
<br /></div>
<div class="BodyA">
<br /></div>
<div class="BodyA">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-s-UfGJ2oKvQ/Xj8CB_UCj_I/AAAAAAAAg3k/yCPZ4nUd0tIFdeeDoepxFJrb78KpaGprQCLcBGAsYHQ/s1600/rlfishow.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1590" data-original-width="1600" height="317" src="https://1.bp.blogspot.com/-s-UfGJ2oKvQ/Xj8CB_UCj_I/AAAAAAAAg3k/yCPZ4nUd0tIFdeeDoepxFJrb78KpaGprQCLcBGAsYHQ/s320/rlfishow.jpg" width="320" /></a></div>
<div class="BodyA">
<b><span lang="IT" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; mso-ansi-language: IT;">Rebecca Fishow</span></b><span style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt;"> is the author of <i>The Trouble
with Language </i>(forthcoming from Trnsfr Books), winner of The Holland Prize,
and <i>The Opposite of Entropy</i> (Proper Tales Press). She has taught
creative writing, English and writing composition classes at the college and
high school levels since 2009. She holds an MFA in fiction from Syracuse
University. She lives in Maryland with her husband, the linguist, Daniel
Goodhue, and her cat, the purrer, Harvey. Find her at <a href="http://rebeccafishow.weebly.com/">rebeccafishow.weebly.com</a>.</span></div>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-76741164818867397302020-01-23T13:00:00.000-05:002020-01-23T13:36:52.173-05:00Proper Tales Press 40th anniversary essay: Dani Spinosa<!--[if gte mso 9]><xml>
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<a href="https://1.bp.blogspot.com/-K8NEqZWDF_o/XinnjgFDxdI/AAAAAAAAguw/duOZsUeH9JAoJuziPGxiva895KFn_GDkACLcBGAsYHQ/s1600/20191116_115341.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://1.bp.blogspot.com/-K8NEqZWDF_o/XinnjgFDxdI/AAAAAAAAguw/duOZsUeH9JAoJuziPGxiva895KFn_GDkACLcBGAsYHQ/s640/20191116_115341.jpg" width="480" /></a></div>
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<span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; line-height: 107%;"><span style="mso-tab-count: 1;"> </span>I
first met, properly met, Stuart Ross in my first meeting as a member of the
Meet the Presses Collective. I entered that meeting feeling like a bit of a
phony, like I was brought in as a volunteer to help the real poets do the real
work of the Collective: to organize the Indie Literary Market and to facilitate
the bpNichol chapbook award. I worked on that Collective for three years and
three markets until I had to take a hiatus to focus on the other piles of work
in front of me, and during that time, Stuart did a lot of work to make sure
that I didn’t feel like a secondary, supplemental addition to the Collective,
that I instead felt central. Much of this was Stuart’s trademark altruism: he
liked me, he valued my contributions, he didn’t want me to feel small. But,
some of Stuart’s welcoming kindness came from a fear and a terrible sadness
that I felt in him then, and still feel now; he’s worried that one day the
members of the Collective, already getting on in their years a little, would
need to retire, and with that we’d lose the Indie Literary Market. It’s a fear
and a sadness that I share, too. I’ll try my best to make sure it doesn’t
happen.</span></div>
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<span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; line-height: 107%;"><span style="mso-tab-count: 1;"> </span>I’ve
never worked with Stuart to publish anything, which I think is cool (I also
think that will likely change soon). But, I’ve worked with him on the
Collective long enough to know that one of his primary concerns in this small
press community is making sure that individuals of any age or experience level
feel as though they are not just helpers, but the main stuff of it, the people
who are actively contributing to and building this community. We talk about
that often, and one of our biggest concerns is how to get new members to join
to Collective and to do the (often thankless, always unpaid) labour of putting together
the Indie Literary Market and facilitating the prize. It’s not easy to convince
people to do this work. People in Toronto especially are struggling to pay
rent; add to that the fact that small press publishing is often a money-losing
venture and the fact that people are <i>busy</i> with many jobs and other
responsibilities. How does someone convince others to join in on this work? I
did it for three years and I had no choice but to step back, to give myself
time to rest and write. But somehow Stuart Ross convinced me not to stop my
work with the Collective, just to take a break, take some time to recover and
rebuild, and to come back when I felt like I could. It’s a lot of work, this
small press business, and you can’t do all the things. </span></div>
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<span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; line-height: 107%;"><span style="mso-tab-count: 1;"> </span>In
terms of small press and chapbook publishing, for over forty years Stuart Ross
has been busier than most. He tells me that for him this means that he lives in
a lot of chaos, and he and I both agreed that sometimes the busy-ness of this
business means that we sacrifice a bit of our mental health to get it done. I
met him for a coffee not long ago and I kept pressing him: how do we motivate
people? How do we make the administrative and organizing work of the market
easier? How do we find funding to try to pay some of the people who do this
work? How do we keep going? I was panicking, but he wasn’t. He said, instead,
“we’re not talking about the work itself.” And it was true, I was dancing
around it, obsessing over the <i>how</i> and forgetting about the <i>why</i>.
Without that work—the social media, the applying for funding, the visits to 3
Cent Copy, the manual folding and stapling, the record keeping—those books, the
whole point of this thing supposedly, just wouldn’t exist. Part of me wanted to
say, “So what? I’m tired.” I thought that’s what he might say, too. </span></div>
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<span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; line-height: 107%;"><span style="mso-tab-count: 1;"> </span>Instead,
he launched into an almost giddy discussion about how we need small press to
create, to discover, and to share the kind of interesting, innovative work that
small press publishing encourages. He talked for a long time about the work
that MLA Chernoff is doing, which Stuart says he’s really excited about. And
it’s true. What other venue would let Chernoff’s beautiful mixture of hilarious
absurdity and poignant political critique run wild than a small press community
that is always just barely holding itself together. That work, Stuart assured
me, assures me, is vital and it’s exciting and it’s only possible if we’re
doing the labour of support and community building. That’s part of the thanks
we get, this thing, these things. And then one day, when you’ve been doing this
work for four decades, if you’re lucky and devoted, you’ll start getting those
big fancy TIFOA prizes. Maybe. </span></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; line-height: 107%;"><span style="mso-tab-count: 1;"> </span>And
the Market, too, is necessary work. Stuart admits that he never sells much at
the Market, and he often ends up spending most of what he’s made at the other
presses’ tables. But that’s the point, too, isn’t it? The Market is enjoyable
because it’s a place to meet new people, get introduced to new work, and get a
sense of discovery. And I think it’s beautiful that <i>discovery</i> is still
what Stuart is grabbing onto after running the same small press for forty
years. He’s still discovering, and there’s still joy in that. </span></div>
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<span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; line-height: 107%;"><span style="mso-tab-count: 1;"> </span>So
I’ve resolved to be a little more like Stuart as I trudge through judging prizes
and reading through slush piles and renaming files FINAL DRAFT REV. 3, REV. 5,
FINAL FINAL. To do so, I’m promising—in true January fashion—to devote myself
to the three big takeaways from my time working with Stuart Ross. 1) Publish
yourself, in some form, in some way, at least once. Do it somewhere weird and
wonderful. Lose a bit of money on it, if you can. Do it to get your words out
there and try to make a connection. 2) Publish someone else, someone you love,
so you know what it’s like to be responsible for someone else’s work. Publish
someone else’s work that you think is great, and support that publication with
your whole heart. Publishing, Stuart reminds me, is an elevated fandom. And 3)
for goodness’s sake have some fun with this. We’re not getting rich or famous
here—are we?—and eventual the eternal recycling bins of time will take all our
poems with them. The only thing really at stake here is the joy of sharing
words. It should be fun! </span></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; line-height: 107%;"><span style="mso-tab-count: 1;"> </span>And
so far, Stuart, it has been fun. And like the best kind of fun, it’s been busy
and chaotic and messy and weird. Congratulations on forty fun years, and thank
you. </span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-iXeMF3D6YLg/Xinnfi2ZyzI/AAAAAAAAgus/wS4jR1HhAn05jnbS85pZp0xc5Q4jDmQ3gCLcBGAsYHQ/s1600/D.Spinosa_author_photo%2B%25282%2Bof%2B1%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://1.bp.blogspot.com/-iXeMF3D6YLg/Xinnfi2ZyzI/AAAAAAAAgus/wS4jR1HhAn05jnbS85pZp0xc5Q4jDmQ3gCLcBGAsYHQ/s400/D.Spinosa_author_photo%2B%25282%2Bof%2B1%2529.jpg" width="300" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; line-height: 107%;">Dani
Spinosa</span></b><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; font-size: 14.0pt; line-height: 107%;"> is a Canadian scholar and poet.
Her work investigates the role of authorship and anarchist politics in digital
and print-based experimental poetry. She is the author of one scholarly
manuscript, nine peer-reviewed academic articles, four poetry chapbooks, and
over a dozen literary publications. She is the managing editor of the
Electronic Literature Directory, an adjunct professor of English at York
University and Sheridan College, and a founding co-editor of the feminist
experimental micropress <a href="https://www.gapriotpress.com/">Gap Riot</a>. She lives in Toronto with one nice man and
one mean cat. You can find her online at <a href="http://www.genericpronoun.com/">www.genericpronoun.com</a></span></div>
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-51272369595148612172019-12-30T13:00:00.000-05:002019-12-30T16:14:30.916-05:00Proper Tales Press 40th anniversary essay: Sarah Burgoyne<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><b><span style="font-family: "Baskerville Old Face", "serif";">(F)(A)(N)(B)(O)(Y)(S)</span></b></span></div>
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<a href="https://1.bp.blogspot.com/-9RpMWe7RDPM/Xgpojbqj4KI/AAAAAAAAgks/zln6cloPHCUEjVis9JaUVyis4oM0k07twCLcBGAsYHQ/s1600/thumbnail_IMG_0101.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="960" height="640" src="https://1.bp.blogspot.com/-9RpMWe7RDPM/Xgpojbqj4KI/AAAAAAAAgks/zln6cloPHCUEjVis9JaUVyis4oM0k07twCLcBGAsYHQ/s640/thumbnail_IMG_0101.jpg" width="480" /></a></div>
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<span style="font-size: large;"><i><span style="font-family: "Baskerville Old Face", "serif";">For Stuart,
and his press, on the occasion of neither his birthday nor his retirement, but
to celebrate him alone or perhaps him and his generosity yet the two cannot be
separated, so this.</span></i></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face", "serif";"><span> </span></span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face", "serif";">After
a course I attended on writers who happen to walk around (although one may
argue most writers, if they are able, walk or have <i>walked around</i> or <i>wandered
about</i>, or even <i>sauntered </i>or, if
they are daring, <i>frolicked </i>in their
lives) therefore on writers who both <i>walk
and write about it</i>, as far as one can tell, in 2013, I mentioned a little
essay I had written for said class to a certain Stuart Ross, whom, as soon as I
mentioned it to him, the first time we ever met, in a little bar near the
university, on Rue MacKay, I believe, over <i>bière-sans-bulles</i>,
as if we were already friends, as though I, as a mere friend who’d come along
to meet my friend’s friend (that being Stuart Ross), whom my friend admired
very much, asked to read it, and to my great honour to then publish it, after
of course, proper pondering,<span> </span>with his
press, Proper Tales Press, it being deemed a “proper tale,” or at least not an
improper one, and <i>it</i>, upon
reminiscence, feeling also like the publication of our friendship, which would
endlessly go on, which is the true gift of Stuart--<i>endlessness in friendship</i>--friendship being a word which takes its
root in “love” (-pri) which is associated also with freedom, as in to be free
to choose someone, to prefer them, to experience a friendship with them, one,
perhaps, full of mentorship and kindness and many cups of tea, living room
readings, wedding attendances, and the writing of collaborative poems under the
dim infected light of Montreal’s once famous dive bars, the published “it”
being not only this, then, though “this” is in no way an “only”, but in this
case manifesting as a long poemish thing (which is my definition of friendship)
called <i>Happy Dog Sad Dog</i>. Because it
was long for a poem-of-mine, and I’d never quite written a thing-poem (what one
might call a <i>thoem</i>, a thoem being
then again what friendship is) that long before, even if I had a sense of where
it was going, and where <i>I</i> was going,
in fact, since it was constructed of seven walks all starting from my home near
Lafontaine Park, I needed it to be propelled by language, and so I established
four constraints: I used nearly all conjunctions and conjunction phrases in the
English language, and in every chapter (after the first introductory one) I
mentioned a dog, inserted, where I could, <i>les
faibles doses de français</i>, and a Montreal street name or landmark (like the
Kondiaronk Belvedere), “Kondiaronk” being still a word unbeknownst to most who
gather there, as I may, this upcoming New Year’s Eve, sadly sans Stuart, though
Kondiaronk was once chief of the Hurons, and indeed meant to be known as more
than a few slabs of loose rock holding up some orange cones. As long as I am on
it, I may mention that these “dogs,” as much as I didn’t intend them to be,
became a <i>motif </i>of mine, which, as
soon as I noticed this, that is this motif of dogs across my work, dogs being
uncannily the champions of friendship, began cropping up in poems that
referenced me, which I am honoured to admit exist now, in at least two books,
notably in the latest books of both poets Stuart Ross and Hugh Thomas, whose
recent reading in Montreal, in a bedazzled loft on rue Jean-Talon, I attended,
and before which I did not realize how much we all love dogs, or at least, I
might say, how dogs, in our work, have become symbols of friendship, even if
I’ve never had one (one being a “dog” friend in this case) for longer than
three months, and even though the end of those three blissful months full of
tossings of sticks, chasings of deer, struggle-washings, and buckets of bacon
(I worked in a kitchen which produced many unethical leftovers) resulted in my
poor pup being <i>tiré dans la tête,</i>
that is, <i>shot in the head</i>,
(unbeknownst to me before the deed was done, I might add), the whole tale of
this being most likely <i>improper</i> in
the context of this short essay, and rather than I tell it, may I turn your
attention instead to living dogs, so long as dogs “live” in “eternal lines to
time”, as the beloved tend to do, and the wondrous friendship and symbolic
value they provide, especially among poet-friends, and to the following two
lines, heard that night on Jean-Talon, about living poetical dogs from Stuart’s
poem “Considerably Sarah” and Hugh’s poem “Unofficial Translation, for Sarah
Burgoyne”:</span></span></div>
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<span style="font-size: large;"><i><span style="font-family: "Baskerville Old Face", "serif";">The sun,
wriggling around in the red sky, is only a small dog. Such a small dog with so
many eyebrows.</span></i></span></div>
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<span style="font-size: large;"><i><span style="font-family: "Baskerville Old Face", "serif";">Only what
freezes is called water. / Goodbye is a direction / to which dogs sing the best
songs.</span></i></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face", "serif";">These
lines that both Stuart Ross and Hugh Thomas read from <i>Motel of the Opposable Thumbs</i> and <i>Maze, </i>respectively, so thoroughly delighted me (when I wrote
“embarrassed” I replaced it with “delighted” since this was the nature of my
embarrassment—a word which originally meant “to hamper”—a good hampering being
the fate of most writers at certain points in their careers, though in my case,
the wealth of English conjunctions, and in this case, the realization of the <i>dog motif </i>or <i>puppy pattern</i>, and namely, my admiration for Stuart, or how this
pattern of dogs is in fact simply an illustration of friendship, has had a
rather “unhampering” effect on my short essay in honour of Stuart Ross--though
it was perhaps slightly hampered by the firearm tragedy described above, but
one cannot have friendship without tragedy, Derrida might say, that tragedy
being the eventual loss of a loved friend, such losses I know Stuart has
weathered in the past year, which only go to reveal their own depth, the depths
(of friendship, of loss) which we discuss, over tea, marvelling at how the
friendship lives on, past death, past loss…) that I felt the need to include
them here, now that I have indeed noticed the pattern, originally upon that
evening, whereas if I hadn’t heard these two lines, which, according to the
titles of these poems, have something to do with me, I may have never noticed
it, a pattern that indeed established itself in work published by the aptly
named “Proper Tales Press” the second properest tail, besides those published
by said press, indeed by Stuart Ross himself, in my opinion, being that on the
back of a dog, the wagging of which, signifies “hello!” or indeed, “hello,
friend”, which “hello” alone, often signifies, the “friend” being implied,
since one, in Canada at least, rarely “hellos” one’s enemy, or even a stranger.
Perhaps you may raise your many dog eyebrows. So allow me, sufficiently
hampered by digression, to sing in the direction of goodbye, a direction in
which, to the relief of all, I may now take this essay.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face", "serif";">Of
Stuart, as the compellingly apt acronym for the coordinating conjunctions in
English cheekily point out, yes, I am and will always be a <i>fanboy</i>. A constant state of admiration shuffles through my blogging
heart. Stuart is the Stuart whom we all love (especially me). Hello!</span></span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-wQ52TZLIVG0/Xgpn7CWtwcI/AAAAAAAAgkk/OMg1MhinoRwfRUJ07No-tGko50R2eLgmwCLcBGAsYHQ/s1600/thumbnail_image.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="426" data-original-width="640" height="266" src="https://1.bp.blogspot.com/-wQ52TZLIVG0/Xgpn7CWtwcI/AAAAAAAAgkk/OMg1MhinoRwfRUJ07No-tGko50R2eLgmwCLcBGAsYHQ/s400/thumbnail_image.png" width="400" /></a></span></div>
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<span style="font-size: large;"><a href="http://abovegroundpress.blogspot.com/2016/01/new-from-aboveground-press-precarious.html"><b><span style="font-family: "Baskerville Old Face", "serif";">Sarah Burgoyne</span></b></a><span style="font-family: "Baskerville Old Face", "serif";">
is an experimental poet. In 2013, she published <i>Happy Dog, Sad Dog</i> with Proper Tales Press, and it was included in
her first collection <a href="http://mansfieldpress.net/2016/04/saint-twin/"><i>Saint Twin</i></a> (Mansfield:
2016), a finalist for the A.M. Klein Prize in Poetry (2016), awarded a prize
from l'Académie de la vie littéraire (2017) and shortlisted for a Canadian
ReLit Award. Other works have appeared in journals across Canada and the U.S.,
have been featured in scores by American composer J.P. Merz and have appeared
with or alongside the visual art of Susanna Barlow, Jamie Macaulay and Joani
Tremblay. She currently lives and writes in Montreal.</span></span></div>
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-8137690482720404432019-12-09T13:00:00.000-05:002019-12-09T13:00:00.294-05:00Proper Tales Press 40th anniversary essay: Heather Birrell<!--[if gte mso 9]><xml>
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<a href="https://1.bp.blogspot.com/-rziKJNXz0TQ/Xew6qdhjOBI/AAAAAAAAgR8/oG-EdnOLodkZX7RPrjjW7SghvQPt72M-gCLcBGAsYHQ/s1600/IMG_20191207_162216.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="640" src="https://1.bp.blogspot.com/-rziKJNXz0TQ/Xew6qdhjOBI/AAAAAAAAgR8/oG-EdnOLodkZX7RPrjjW7SghvQPt72M-gCLcBGAsYHQ/s640/IMG_20191207_162216.jpg" width="360" /></a></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">I
fell in love with writing as a teenager because of the intensity and emotional
availability of poetry, and because of the way it messed with language in ways
I found exciting and liberating. But as I wandered deeper into a thicket of
prose, I began to wonder if I had ever really known how to write poetry at all
-- or what it even was in the first place. There seemed to be a poetry code I
could no longer crack; I became intimidated by the form. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Then
someone told me about Stuart Ross’s poetry boot camps. I knew Stuart through
our connections to Coach House Books, but had never experienced his teaching.
In practice, Stuart’s workshops actually deliver the exact opposite of what the
term “boot camp” connotes for me. They eschew all manner of militaristic strain,
discipline, and whipping into shape for something every artist craves -- a
sense of play and permission, a call to the unfettered freakiness of language
that skips alongside, do-si-dos with, or completely ignores the structure of
‘thought’. Also, Stuart provides tea and jujubes. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Recently,
mental health struggles left me even more adrift when it came to creating.
Writing anything felt fraught and risky. Stuart’s workshops allowed me to
sidestep my persistent sense-making apparatus, and return to the roots of what
made poetry come alive for me in the first place. When Stuart suggested I make
a chapbook, I jumped at the chance -- the process represented a welcome
antidote to the travails and stresses publication usually entails. Chapbooks
combine all the making-magic of a childhood game with the legitimacy and
commitment of a grown up endeavour. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">My
Proper Tales chapbook, <i>Dreaming Fidel</i>,
consists of a series of prose poems I wrote years ago in tandem with a (later
abandoned) novel similarly preoccupied with Fidel Castro and the charisma of
revolution. I showed these poems to Stuart in a file I think I named “Not sure
about these ones”. I love that he saw them as a book. A book with a hot pink
cover. A book whose cover illustration is a pen and ink sketch of Castro
looking doughy and vulnerable drawn by my husband Charles. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Stuart
Ross is that rare, odd bird -- a writer whose work conveys heartache and humour
using droll, deadpan language, a teacher and mentor who remembers what it feels
like to be discovering language anew, and an advocate for publishing who gets
that sharing stories/poems is both gift and responsibility. Stuart’s easy
manner, his openness and wonder at the crazy capaciousness of language, gave me
the sense of joy and confidence that allowed me to write new work and polish
old. Eventually, this work became my first full length poetry collection <i>Float and Scurry</i>.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">I
am so grateful that Stuart and Proper Tales have been giving writers this
incredible gift, outside of the strictures (scriptures) of the big publishing
machine, for so many years. My teenage students sometimes ask me if their work
is proper, and they mean, is it correct, have they followed instructions, met
requirements? But when I think of something being properly done, I think of it
being done right. Stuart Ross does right by writers and their writing.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">I
am honoured to be a part of the Proper Tales canon (cannon!) and wish the press
many more thriving, three-stapled years.</span></span></div>
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<a href="https://1.bp.blogspot.com/--6lc8zIZYMs/Xew6fx_j7OI/AAAAAAAAgR4/IAb2fB_QPLEqNvNMAQpxiPZET6scStRowCLcBGAsYHQ/s1600/Heather_Birrell_42A1057.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://1.bp.blogspot.com/--6lc8zIZYMs/Xew6fx_j7OI/AAAAAAAAgR4/IAb2fB_QPLEqNvNMAQpxiPZET6scStRowCLcBGAsYHQ/s400/Heather_Birrell_42A1057.jpg" width="266" /></a></div>
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<span style="font-size: large;"><b><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Heather
Birrell</span></b><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">
is the author of the poetry collection <i>Float
and Scurry</i> (Anvil Press, 2019) and two story collections, both published by
Coach House Books: <i>Mad Hope</i> (a <i>Globe and Mail</i> top fiction pick for
2012) and <i>I know you are but what am I?</i>.
Her work has been honoured with the Journey Prize for short fiction and the
Edna Staebler Award for creative non-fiction and has been shortlisted for the
KM Hunter Award and both National and Western Magazine Awards (Canada). A
recent non-fiction piece published in <i>Canadian
Notes and Queries</i> was a notable mention in <i>Best American Essays 2017</i>. She returned to poetry with a chapbook
titled <i>Dreaming Fidel</i>. “Snow Day
Poem” was shortlisted for <i>Arc Magazine</i>’s
2019 poem of the year contest and won the reader’s choice award. Heather works
as a high school English teacher and a Creative Writing instructor in Toronto,
where she lives with her family. Learn more about Heather and her work here:
<a href="http://www.heatherbirrell.com/">www.heatherbirrell.com</a></span></span></div>
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com1tag:blogger.com,1999:blog-741717746155367036.post-48754304475961560592019-11-18T13:00:00.000-05:002019-11-18T13:00:09.531-05:00Proper Tales Press 40th anniversary essay: Cameron Anstee<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><b><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">He Counted His [Small Press] Fingers, He Counted His [Small
Press] Toes</span></b></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">“Perhaps
it’s also a way of life.”</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">—Stuart
Ross, <i>Confessions of a Small Press
Racketeer</i> </span></span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-As1tvR2N_Dg/XdHlL4O-bnI/AAAAAAAAgGw/cQOE3Qj-1x88u4RZqwvPr2i74eemu4aCwCLcBGAsYHQ/s1600/IMG-3300.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1600" height="640" src="https://1.bp.blogspot.com/-As1tvR2N_Dg/XdHlL4O-bnI/AAAAAAAAgGw/cQOE3Qj-1x88u4RZqwvPr2i74eemu4aCwCLcBGAsYHQ/s640/IMG-3300.jpg" width="640" /></a></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">I
knew <i>of</i> Proper Tales Press before I’d
held any of the books in my hands. I’d surely already encountered the name in
various places—print and online—but the first time I began to understand the
scope of Stuart’s work in the small press was when I read <i>Confessions of a Small Press Racketeer</i> circa 2006 (a book I
purchased at Richard Coxford’s late-great Bytown Bookshop in Ottawa). To that
point, I’d primarily understood the small press as something distant in time
and space. It happened mostly somewhere else, and mostly in the past (this, of
course, was due to my own ignorance). <i>Confessions</i>
opened a thousand doors (especially for a kid trying to find a way in from
Ottawa, already outside of the centres of Canadian small press) via names of
writers and presses and bookshops, via trivia and complaints and support, and
most of all, via Stuart’s <i>enthusiasm</i> and
<i>generosity</i> saturating every page. It
is those characteristics years later that define not only Proper Tales but
Stuart’s life in the small press for me.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">On
occasions where I have the opportunity to talk about my own small press
publishing, I steal from Stuart, paraphrasing his assertion that he publishes
books he wishes he’d written. I don’t know where he said this first—I probably
encountered it in <i>Confessions</i>—but it
stands in for the enthusiasm he brings to his publishing. I know of no editor
or publisher who speaks with such force and love for every single title he
publishes—first books, last books, books in-between. In his publishing, his
heroes receive the same love as young writers he has just met. The enthusiasm
is in his hand-drawn covers, consistent with the earliest years of the press;
in the occasional “vertebrate” book, like the astonishing collection of Ron
Padgett’s collaborations; in his loving typesetting, which has more joy and
excitement in it than much chapbook design; in his ushering of young writers
through chapbooks to trade books, and established writers from trade books back
to chapbooks. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">(I
first met Stuart at the Ottawa International Writer’s Festival in the basement
of a decommissioned church, which I now live only a couple blocks from. I think
he was launching <i>Buying Cigarettes for
the Dog</i>. I had him sign a copy of <i>Father,
the Cowboys Are Ready to Come Down from the Attic</i>—an early Proper Tales
title. He signed it with humour and kindness—“all the best with <u>your</u>
writing. Please excuse the penthouse-letters scenes.”</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">(I
had the book because my dad had the book. He gave it to me along with another
of Stuart’s—<i>Henry Kafka and Other Stories</i>.
This book is another early site of interaction—albeit unbeknownst to Stuart or
me at the time. Stuart had been in Ottawa in the 90s to launch the book at a
bookstore where my dad worked. Dad had to take me to soccer practice and so
could not stay for Stuart’s reading, a fact reflected in the inscription—“For
Rod, Hey, happy soccer!”))</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">I
haven’t published a title of my own with Proper Tales, but I feel I’ve
benefited from the press and from the animating forces of Stuart’s small press life
all the same. Stuart consented to publishing a chapbook with my own Apt. 9
Press years later—something I was incredibly proud of having done. He was
travelling to Ottawa to read with lifelong friend and collaborator Michael
Dennis at Ottawa’s long-running Tree Reading Series. Apt. 9 was very young at
the time—is still young today up against 40 years of Proper Tales!—and it was a
great act of trust for Stuart to send me a manuscript when I approached him. Apt.
9 chapbooks by both Michael and Stuart were launched that night and I sat in
the crowd astounded as two of my small press heroes read from chapbooks I’d
stitched.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">To
my great joy, I was able to buy a copy of the first Proper Tales
chapbook—Stuart’s own <i>He Counted His
Fingers, He Counted His Toes</i>—from jwcurry’s room 3o2 books. Buying it from
jwcurry, one of the foremost small press practitioners / collectors /
archivists / bibliographers / booksellers / etc. in Canada, was in keeping with
the small press ethos of Proper Tales but also reflective of the kind of small
press labour Proper Tales has performed and encouraged others to perform over
40 years. Stuart’s work pushes a reader to look more closely at the literary
ecosystem one inhabits, and to consider how one wants to participate in that
world. Amazon doesn’t care about the small press, but room 3o2 sure does. Even
the title of that chapbook seems to gesture presciently at taking stock of
oneself, one’s surroundings, and one’s integrity.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Proper
Tales is the part of Stuart’s work that has left perhaps the most visible
race—that is, <i>bibliographic</i> trace—in
Canadian small press history, but it is only a piece. Think of the Toronto
Small Press Book Fair and Meet the Presses, and his street bookselling, and his
recent imprints with Mansfield and Anvil, and his editing (literary and copy), and
<i>Mondo Hunkamooga</i> and his scores of
little magazines with fabulous names, and Patchy Squirrel, and his own writing
(not sure how he finds time for that!)…. In nearly all of those works Stuart is
promoting others, collaborating, and working to keep his small corner of the
small press upright and tidy and moving. Over the course of 40 years, his
corner has become a vital point-of-entry for some, a shelter for others, and a
consistently surprising and exciting library for the whole community. His
recent Harbourfront Prize—presented for both his writing and his support and
encouragement for the literary community—reflects the range of this ongoing
work. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">The
point I am trying to make is that 40 years is amazing, and it is amazing beyond
the folded and stapled bindings of Proper Tales. The essays in this
series—lovingly curated by rob mclennan some 26 years into his own small press
life—show a cross-section of some of the lives and writing Stuart has shaped in
different ways. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">And
please forgive me. In this essay I’ve indulged in personal digression, but this
too I think is rooted in what Proper Tales has meant to me. One of my favourite
elements of Stuart’s small press practice is the way that his work deliberately
intersects with so many other small press folks, and the new intersections it
makes possible simply by creating places for others to meet. He finds so much
joy in the small details and chance encounters that have accrued over 40 years
and that has provided me with this opportunity to sit down and think about
Stuart, and about his influence on my small press life, and about how lives
intersect relentlessly in the small press. Stuart—thank you!</span></span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-LJ9QXIbtUMk/XdHlH8NzjfI/AAAAAAAAgGs/2Cevms5oK0M3XV2dY0BkqGNG6D3R0HiDACLcBGAsYHQ/s1600/Cameron%2BAnstee%2Bauthor%2Bphoto%2Bsmall.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="427" height="400" src="https://1.bp.blogspot.com/-LJ9QXIbtUMk/XdHlH8NzjfI/AAAAAAAAgGs/2Cevms5oK0M3XV2dY0BkqGNG6D3R0HiDACLcBGAsYHQ/s400/Cameron%2BAnstee%2Bauthor%2Bphoto%2Bsmall.jpg" width="266" /></a></span></div>
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<span style="font-size: large;"><a href="https://cameronanstee.wordpress.com/"><b><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Cameron Anstee</span></b></a><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">
lives and writes in Ottawa ON where he runs <a href="https://apt9press.wordpress.com/">Apt. 9 Press</a> and holds a Ph.D. in
Canadian Literature from the University of Ottawa. He is the author of one
collection of poetry, <a href="https://invisiblepublishing.com/product/book-of-annotations/"><i>Book of Annotations</i></a>
(Invisible Publishing, 2018), and editor of <a href="https://invisiblepublishing.com/product/collected-poems-william-hawkins/"><i>The Collected Poems of William Hawkins</i></a> (Chaudiere Books, 2015).</span></span></div>
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-10411965661090241712019-10-23T13:00:00.000-04:002019-10-23T14:10:50.806-04:00Proper Tales Press 40th anniversary essay: Tom Prime<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><b><span style="font-family: "Baskerville Old Face","serif";">Stuart
Ross’s Appearances </span></b></span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-4IM4vsfSPOI/XbCWqoPipOI/AAAAAAAAf8s/WT4oW-2cbDAMEj5fflaQNVODJydYoUPsACLcBGAsYHQ/s1600/Proper%2BTales_A%2BStrange%2BHospital.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="400" src="https://1.bp.blogspot.com/-4IM4vsfSPOI/XbCWqoPipOI/AAAAAAAAf8s/WT4oW-2cbDAMEj5fflaQNVODJydYoUPsACLcBGAsYHQ/s400/Proper%2BTales_A%2BStrange%2BHospital.jpg" width="300" /></a></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">I
first met Stuart Ross at Kathryn Mockler’s <i>Purpose Pitch </i>poetry launch
alongside Frank Davey’s launch and another Mansfield Press writer’s launch in London,
Ontario. </span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">The
reading ended. </span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">At
the bar down the street, this anonymous writer talked extensively about
cannibalism and fascism as related to the origin of the <i>Chiclet</i> chewing
gum company and something about rubber tires. She drank vinegar and talked to
me but seemed to talk out of obligation. Eventually we stopped talking, and I
was happy about this, because the conversation had devolved into the various
places we’d travelled and what the weather was predicted to be. </span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">I
could finally talk to Stuart.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Stuart
had been sitting beside me, and the drinks I drank were being sopped up.
Kathryn’s poetry had been like a kick in the teeth. Kathy Acker reborn—an
inaccurate estimation of her work; she’s got her own style, and it’s original
and great. Frank’s was great. And the other poet had been cool, though I don’t
remember her name. She’d written a poem about her boyfriend’s socks. This poem,
she explained, was terrible, but it’s the only poem of hers that I remember. </span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">I
had a bit of swollen skin on my fingers which I directed Stuart’s attention to.
Was a hot oil burn from deep fried shrimp. He was not drunk, but I like to think
he found my story entertaining. </span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">The
next time I saw him, it was summer. I was in Toronto with my partner, Amelia,
and he was meandering down the street. His hair as cloudy as the mind of Leibniz.
The kind of man that doesn’t seem possible in the world we live in but then
appears as distinguishable as a 50-dollar bill on the sidewalk. Not to compare
him to money, but there are people out there that you’re just so glad to see;
they’re better than a paycheck. Read the man’s poetry!</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">He
took our photo and etherized.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Amelia
and I had him down to do a reading at our friend, Vince’s. This turned out far
worse than anyone could have imagined. The snow hit hard. Some people did show
up. The wine had a debilitating effect on the host and I, and the night turned
carnivalesque. People sneered, were offended. There were some harsh words. A
few discussions of ordering pizza. Amelia and I eventually left. I had been
gifted a plastic alien, which I was required to assemble and paint.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">The
day before, Stuart had driven Amelia and I, shakily through slush, to a vegan
restaurant, listening to acapella Frank Zappa. Hoping to compel the poetry from
our digits, the conversation at dinner involved the band, <i>Suicide</i>, and
axe throwing in Romania. </span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">The
fabricated eel had tasted like burnt toast, but the rest was good.
Specifically, the fake chicken on thick toothpicks. Hoping to write our
collaborative masterpiece, we returned home in the most linear way. </span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">I
poured myself whiskey. We wrote. My socks smelled like sweat and rotten leaves.
The electric heat was an envelope. We were happily creased inside. We were
going to write an epic chapbook. The kind of book that’s about windmills and
bivalves.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Amelia
went to bed. I snuck some more Jameson in my cup, and Stuart sat in Amelia’s
1000$ chair and talked about the merits of Erin Moure. And I agreed.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">He
published my chapbook a little while later—on Proper Tales Press. Not to say,
I’m a success story, but the man is about good intentions. He’s about new
artists making work. As is rob mclennan. These are the people poets need in a
society that has no interest in poetry.</span></span></div>
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</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-AgK4yDzdpNY/XbCWmlSi8NI/AAAAAAAAf8o/axCT6tIKdHUQ4L3c5gdzhW95sl0RJh3tgCLcBGAsYHQ/s1600/70720422_1251225065081934_2478232868942249984_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="758" data-original-width="960" height="315" src="https://1.bp.blogspot.com/-AgK4yDzdpNY/XbCWmlSi8NI/AAAAAAAAf8o/axCT6tIKdHUQ4L3c5gdzhW95sl0RJh3tgCLcBGAsYHQ/s400/70720422_1251225065081934_2478232868942249984_n.jpg" width="400" /></a></span></div>
<div class="MsoNoSpacing">
<span style="font-size: large;"><a href="https://tomprime24.wixsite.com/tomprime"><b><span style="font-family: "Baskerville Old Face","serif";">Tom Prime</span></b></a><span style="font-family: "Baskerville Old Face","serif";"> is in his first year of the
PhD program in English at Western University. He has an MFA in Creative Writing
at the University of Victoria (Specializing in Poetry). He has a BA at Western
University. He has been published in <i>Carousel</i>,
<i>Ditch</i>, <i>Fjords Review</i>, <i>The Northern
Testicle</i>, <i>The Rusty Toque</i>, and
Vallum.</span></span></div>
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<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">His
first chapbook, <i>A Strange Hospital</i>,
was published on Proper Tales Press. His latest chapbook, <a href="http://abovegroundpress.blogspot.com/2018/03/new-from-aboveground-press.html"><i>Gravitynipplemilkplanet Anthroposcenesters</i></a>, was published on
above/ground press.</span></span></div>
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<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">His
collaborative collection of poems written with Gary Barwin, <a href="https://www.gordonhillpress.com/collections/titles/products/a-cemetery-for-holes"><i>A Cemetery for Holes</i></a>, is available from
Gordon Hill Press.</span></span></div>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-67154354168010949722019-10-16T13:00:00.000-04:002019-10-16T14:49:25.059-04:00Proper Tales Press 40th anniversary essay: Lance La Rocque<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><b><span style="font-family: "Baskerville Old Face","serif";">Proper Tales in the
Classroom</span></b></span></div>
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<a href="https://1.bp.blogspot.com/-5n5TS2WKf3s/Xadl0hZpvEI/AAAAAAAAf5o/W3dbeYwr8Sg6KPhk--65QtGyXIxXqF5PACLcBGAsYHQ/s1600/propertales11.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1015" height="640" src="https://1.bp.blogspot.com/-5n5TS2WKf3s/Xadl0hZpvEI/AAAAAAAAf5o/W3dbeYwr8Sg6KPhk--65QtGyXIxXqF5PACLcBGAsYHQ/s640/propertales11.jpg" width="406" /></a></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">I
first encountered Stuart Ross from a distance, in the late 1980s. He was
standing on a busy sidewalk selling books. I was walking with Clint Burnham,
who, knowing a lot about the Toronto Small Press scene, suddenly dashed across
the street to meet him. I knew next to nothing about small presses or writers
selling their wares on the street. Great writing existed solely in, say, the
Norton Introduction to English Lit. Dumb, I know. Some weeks later I met Stuart
again on the street. We spoke briefly and I bought some books. (I would soon
discover Stuart’s enormous generosity to other writers, his founding of the
Toronto Small Press fair, and tireless promotion of young writers.) What seems
like a minor meeting on Yonge Street instigated a new understanding of
art--where writing comes from, how it’s made, and circulates. It would not be
too much to say that Stuart and Proper Tales Press helped shape how I approach
books in the classroom. Since getting a job teaching introductory literature
and experimental poetry, I regularly bring Proper Tales books, chapbooks, and
zines into first year, upper level, and honours courses. I’ve continued to do
it because nothing makes writing seem as vital and weirdly accessible (who can
resist titles like <i>Paralysis Beach</i>,
Mark Laba’s <i>Movies in the Insect Factory</i>,
<i>bunny baby, the child with magnificent
ears</i>, or <i>language lessons with Simon
and Marie</i>!).<span> </span>A surprising number of
students, inspired by Stuart’s publications, made their own books, chapbooks,
and zines. Many began writing for the first time or brought their writing out
of hiding. Somehow these wonderful, inventive objects gave students permission
to participate in literary culture…to make their own culture. And it’s made the
classroom a lot more interesting.</span></span></div>
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<a href="https://1.bp.blogspot.com/-iXre6uLvxjI/XadlwX3fy5I/AAAAAAAAf5k/2w1E-4HJyNMzVQYxhTUpS9S54nPgvM2JwCLcBGAsYHQ/s1600/piclance.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1544" data-original-width="1160" height="400" src="https://1.bp.blogspot.com/-iXre6uLvxjI/XadlwX3fy5I/AAAAAAAAf5k/2w1E-4HJyNMzVQYxhTUpS9S54nPgvM2JwCLcBGAsYHQ/s400/piclance.jpg" width="300" /></a></div>
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<span style="font-size: large;"><a href="https://english.acadiau.ca/lance-la-rocque.html"><b><span style="font-family: "Baskerville Old Face","serif";">Lance La Rocque</span></b></a><span style="font-family: "Baskerville Old Face","serif";"> lives in Wolfville, NS. with
Lisa, Emily, and Max.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">He
has published in <i>Hava LeHaba</i>, <i>Industrial Sabotage</i>, and <i>The Northern Testicle Review</i>, and has a
book of poetry, <a href="https://bookhugpress.ca/shop/books/vermin-by-lance-la-rocque/"><i>Vermin</i></a>, by Book Thug.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">He
is the author of the Proper Tales Press title <i>The Gross Metaphysics of Meat</i> (2002).</span></span></div>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-6091682679470918242019-10-14T13:00:00.000-04:002019-10-14T13:00:03.280-04:00Proper Tales Press 40th anniversary essay: Amelia Does<!--[if gte mso 9]><xml>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-t7KN6TjdNeo/XaIntHKXEjI/AAAAAAAAf3M/AcBAnS9v6rICvPOktjsl2zz9N3v8Bg32wCLcBGAsYHQ/s1600/0.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="529" data-original-width="705" height="300" src="https://1.bp.blogspot.com/-t7KN6TjdNeo/XaIntHKXEjI/AAAAAAAAf3M/AcBAnS9v6rICvPOktjsl2zz9N3v8Bg32wCLcBGAsYHQ/s400/0.jpeg" width="400" /></a></div>
<div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">A
few years ago I was introduced to the world of small press publishing through
my partner Tom Prime, who had a chapbook published by Proper Tales Press (<i>A Strange Hospital</i>). I was slightly
surprised to learn that the little books I make have not just a name, but are
almost like a genre, and that people actually buy them! </span></span></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">One
day we were walking down Augusta toward Spadina as Tom stated “I never run into
anyone when I visit Toronto.” Suddenly a man with a heavy shoulder bag, a
completely sweet and disarming smile and billowing curls appeared directly in
front of us, it was Stuart Ross. He took this photo at that moment.</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">After
that day Stuart became a friend, an inspiration and a big influence on my
writing. Through his publications and his own writing I discovered I wasn’t
crazy at all. Or rather, I had the same insanity as other writers! Yes, you can
express yourself in any way you want, with words and paper. And other people do
it too. </span></span></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Stuart
introduced me to the great Mark Laba and Rebecca Fishow (who I publish in my
zine, <i>Dogbed</i>) and a few others who
possess what Stuart states are unique, individual voices. </span></span></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Just
this week I was thrilled to receive the first copy of a chapbook of my poetry
published by Proper Tales Press (<i>Amsterdam:
The ABBA Version</i>)! It is always uplifting to be published, but to be
published by a writer you love as an artist and a person is very special.
Stuart is responsible for giving creative people a voice, an outlet and even a
community. His dedication and love of writing, performing and hanging out with
other writers has truly changed lives. Stuart’s support of my partner’s work (a
marginalized artist who was trying to get published while homeless and then
working in shitty factories) has helped him on the road to starting his PhD
this year. </span></span></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">But
do you know what I love most about Stuart and Proper Tales Press? That Stuart
stood on the street for years selling his poetry with hilarious signs around
his neck. Congratulations Stuart on 40 years of enriching and supporting
culture with your passion and enthusiasm. It is well-needed and appreciated by
so many.</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<br /></div>
<span style="font-size: large;">
</span><div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-hdkQJn-BNt0/XaInxdXRBmI/AAAAAAAAf3Q/Ep-PzBJ2gpwbObhTJbOZgZf9_Q8B922WQCLcBGAsYHQ/s1600/72180834_1270313153173125_8789706118076039168_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="400" src="https://1.bp.blogspot.com/-hdkQJn-BNt0/XaInxdXRBmI/AAAAAAAAf3Q/Ep-PzBJ2gpwbObhTJbOZgZf9_Q8B922WQCLcBGAsYHQ/s400/72180834_1270313153173125_8789706118076039168_n.jpg" width="300" /></a></div>
<div class="MsoNoSpacing">
<span style="font-size: large;"><a href="https://ameliadoes.weebly.com/"><b><span style="font-family: "Baskerville Old Face","serif";">Amelia Does</span></b></a><span style="font-family: "Baskerville Old Face","serif";"> is an artist and writer
from London Ontario. Her work has been published in journals such as <i>Acta Victoriana</i>, <i>Cineforum Italia</i> and <i>Incite</i>.
She has self-published a biography, a children’s book and a short story book.</span></span></div>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-83285038089219751542019-09-18T13:00:00.000-04:002019-09-18T13:00:00.677-04:00Proper Tales Press 40th anniversary essay: Dag T. Straumsvåg<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><i><span lang="NO-BOK" style="font-family: "Baskerville Old Face","serif"; line-height: 130%; mso-bidi-font-size: 12.0pt;"><span> </span>in memory of Nelson Ball (1942—2019)</span></i></span></div>
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<span style="font-size: large;"><span lang="NO-BOK" style="font-family: "Baskerville Old Face","serif"; line-height: 130%; mso-bidi-font-size: 12.0pt;">For forty years
the Norwegian government has suspected that Proper Tales is not a press, but an
extraterrestial being, a descendant of the Greek soldier Propertalis (presumed
lost in space, 747 BC), and a possible threat to national security. Numerous
investigations have been conducted, but nothing conclusive ever came of it. Now
most people do believe that Proper Tales is in fact a press, founded and run by
Stuart Ross. And we do know that Gary Barwin once saw Stuart Ross on a bus. I
myself once saw a bus inside Stuart Ross, heading for the Trondheim Airport,
Værnes. His successful exchange program for penguins and nuns in the 70s is
well documented. My first encounter with him occured five years ago in a
village on the Amazon river, his houseboat drifting toward shore in the misty
dawn, Stuart leaning against the mast, reading <i>Ring Pulls Through the Ages</i>
by Mackenzie Crook. “Hello!” he said, “do you know where I can get a cup of
coffee around here?” “Certainly,” I said, “please come with me.” And as we
walked through the village to the café, passing huts and houses where people
were still asleep, I saw the Trondheim bus flickering inside his chest;
hundreds of passengers on board, boll weevils, sparrows,<span> </span>penguins, people—the dome lights shining down
on their faces in the windows as they passed by. “We race our eyes along the
mad river” ... “Look at the oil the car left on the road and how it glistens
and takes on the shape of whatever you desire” ... “I sit on the toilet seat
warmed by your bum” ... And high above the bus, a spool on a string flying in
the wind.</span></span></div>
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<span style="font-size: large;"><span lang="NO-BOK" style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Arial Unicode MS";">
</span><b><span style="font-family: "Baskerville Old Face","serif"; mso-ansi-language: EN-US;">Dag T. Straumsvåg</span></b><span style="font-family: "Baskerville Old Face","serif"; mso-ansi-language: EN-US;"> was born in 1964 and grew up on the west coast of
Norway. He is the author and translator of six books and chapbooks of poetry,
most recently <a href="https://www.etsy.com/ca/shop/shreekingvioletpress"><i>Eleven Elleve Alive</i></a> (with Stuart Ross and Hugh Thomas,
shreeking violet press, 2018), <i>Nelson</i> (Proper Tales Press, 2017), and <a href="https://www.spdbooks.org/Author/Default.aspx?AuthorId=21024"><i>The Lure-Maker from Posio</i></a> (Red Dragonfly Press, 2011), translated by Robert
Hedin and Louis Jenkins. A selection of his poems is included in <a href="https://www.spdbooks.org/Products/9781556595042/at-the-great-door-of-morning-selected-poems-and-translations.aspx"><i>Robert Hedin: At the Great Door of Morning: Selected Poems and Translations</i></a>
(Copper Canyon Press, 2017. His poems have appeared in numerous journals in
Norway and North America. He lives in Trondheim.</span></span></div>
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com1tag:blogger.com,1999:blog-741717746155367036.post-4892191106871657222019-09-16T13:00:00.000-04:002019-09-16T13:00:01.218-04:00Proper Tales Press 40th anniversary essay: George Bowering<!--[if gte mso 9]><xml>
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<br />
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<span style="font-size: large;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Who
could not love Proper Tales?</span></b></span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-qNyKrQSmV-c/XXwmQ17A-yI/AAAAAAAAfqY/8CMoGviekuE0racgtTH5DAaF1a-8cxl_ACLcBGAsYHQ/s1600/mondo%2Bhunkamooga.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1514" data-original-width="1600" height="377" src="https://1.bp.blogspot.com/-qNyKrQSmV-c/XXwmQ17A-yI/AAAAAAAAfqY/8CMoGviekuE0racgtTH5DAaF1a-8cxl_ACLcBGAsYHQ/s400/mondo%2Bhunkamooga.jpg" width="400" /></a></div>
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Dear rob etc.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">The first time I
laid eyes on Stuart Ross was from the north shore of Slocan Lake.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Where a kayak
hove into sight.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Wait, I murmured
to myself, who is the gink with the curly white hair who is plying that
double-headed paddle?</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Can it be the
Ontario poet who had to stop his car high in the west Kootenay highway because
he realized</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">that he had been
driving with his eyes closed by abject fear for 20 kilometers?</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Sure enough. I
watched the figure plying his craft across the lake, and I was filled with
envy.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">A sin, don’t you
know?</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Yep, this was the
guy who made up the best book titles in Canadian poetry or fiction.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Hey, Crumbling
Balcony.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Buying Cigarettes
for the Dog.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">His favourite
living U.S. poet is Ron Padgett. Mine is, too.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">His favourite
late Canadian poet is David McFadden. Mine, too.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">He edited a book
of my poetry and a book about how I wrote my books, for a press that is not
Proper Tales.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Now he and Proper
Tales is getting ready to publish my story “David in Byzantium”.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Yes, it is about
David McFadden.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">It has a
marvelous cover photo of David and me looking tough.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">There is another
picture of Stuart and me looking tough.</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">If that all isn’t
love, what is?</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">GB</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-g1gFVgJh9cw/XXwmE-1Sm5I/AAAAAAAAfqU/AvNevdePU0wls5S1vEJ0vs0yhqYW7FE4ACLcBGAsYHQ/s1600/sphinx_cr2-768x522.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="522" data-original-width="768" height="271" src="https://1.bp.blogspot.com/-g1gFVgJh9cw/XXwmE-1Sm5I/AAAAAAAAfqU/AvNevdePU0wls5S1vEJ0vs0yhqYW7FE4ACLcBGAsYHQ/s400/sphinx_cr2-768x522.jpg" width="400" /></a></div>
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large; mso-bidi-font-size: 12.0pt;"><a href="https://www.georgebowering.com/"><b>George Bowering’s</b></a> 2018 books:
<a href="http://www.newstarbooks.com/book.php?book_id=1554201454"><i>Some End</i></a>
from New Star (poems); <a href="https://ecwpress.com/products/no-one"><i>No One</i></a>
from ECW (fiction); plus <a href="http://talonbooks.com/authors/rebecca-wigod"><i style="mso-bidi-font-style: normal;">He Speaks Volumes: A Biography of George
Bowering</i> by Rebecca Wigod</a> (Talonbooks).</span></div>
<div class="MsoNormal" style="vertical-align: baseline;">
<span style="font-size: large;"><br /></span></div>
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-88939165939098969882019-09-11T13:00:00.000-04:002019-09-11T13:00:00.541-04:00Proper Tales Press 40th anniversary essay: rob mclennan<!--[if gte mso 9]><xml>
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<![endif]--><span style="font-size: large;"><b><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">A Perpetual Proper Tales</span></b><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";"> </span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-h4tEJcs-5h8/XXUOcAGZDPI/AAAAAAAAfpI/PTEuYY9_TIsK09DLmsvpxuG6Ubg2dBRTwCLcBGAs/s1600/14914486001_1108625325_b.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="788" height="640" src="https://1.bp.blogspot.com/-h4tEJcs-5h8/XXUOcAGZDPI/AAAAAAAAfpI/PTEuYY9_TIsK09DLmsvpxuG6Ubg2dBRTwCLcBGAs/s640/14914486001_1108625325_b.jpg" width="491" /></a></div>
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I’m
not sure precisely when I first encountered Stuart Ross and Proper Tales Press,
but it was most likely through exhibiting at the semi-annual
Toronto Small Press Book Fair. Over the course of those first few fairs I attended,
starting in April 1995, I was introduced to a variety of local small press
enthusiasts, some of whom I’d already heard of through my ongoing reading and
researches: Maggie Helwig, maria erskine, Stephen Cain, Alana Wilcox, Darren
Wershler, Steve Venright, John Barlow, Jay MillAr, Michael Holmes, Victor Coleman, Bev Daurio, Gary Barwin, Kevin
Connolly, Karl Jirgens, jwcurry, Paul Dutton, Beth and Joy Learn, and of
course, Stuart Ross.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Being
allowed to participate in the Toronto Small Press Book Fair was a big deal for
youthful-me, barely two years into my own chapbook enterprise. I moved from
table to table, whirling through my own enthusiasms in reading, reviewing and
simply wishing to know as much as possible about what the hell was out there.
In June, 1994, I’d joined The TREE Reading Series as co-director, and
conversations with friend, collaborator and co-director James Spyker led us to
found an Ottawa version of that Toronto event, hosting the first ottawa small
press book fair that November. How did I even know about the original fair in
the first place, having not yet been to Toronto? God knows. Maybe it was
through my emerging correspondences with other poets, including Gil McElroy and
Stan Rogal. I suspect it was most likely Joe Blades, who seemed to be connected
to just about everything back in those days, even from his home base of
Fredericton.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Something
that often gets overlooked in the ins and outs of who emerges and who moves
away from the public activity of literature are those who are always, actively,
present. From the moment my awareness of Canadian small press began, Stuart
Ross has always been around, and usually with new publication in hand, whether
chapbook, small magazine or pamphlet, produced just for whatever it was that brought
us together. Unassuming, but always present, Stuart would be standing in the
background chatting away or behind his small table, manning his photocopied
wares.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">There
are individuals in any industry or group that appear to exist solely for their
own ego or career, but Stuart Ross is someone who provides a great example of a
writer, editor and publisher deliberately working as part of an ecosystem of small
press, open to seeing, hearing and supporting what someone else may be doing,
and providing important mentorship to numerous writers, editors and publishers,
whether emerging or established. I’ve noticed that most of the chapbooks he’s
produced over the past few years, for example, have been by emerging poets,
including multiple debut titles. I’m aware of Ross’ early and ongoing encouragements
of poets he’s edited through Proper Tales Press across forty years of activity,
as well as his more recent numerous book publishing imprints. I’m aware of his
essential hand in rejuvenating the career of the late Toronto writer David W.
McFadden. Thanks to Stuart Ross taking on McFadden’s work through his Mansfield
Press imprint, McFadden flourished through multiple poetry titles, culminating
in his collection <i>What’s the Score?</i>
winning the 2013 Griffin Poetry Prize. By the time Ross has shown you that
someone’s work is worth paying attention to, you not only agree, but kick
yourself for not having paid better attention earlier. He’s in the thick of it,
constantly, but doesn’t feel the need to push himself into the forefront, or at
the expense of anyone else or their work.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I’m
often quite baffled at how he and Nick Power don’t receive more credit for
founding the Toronto fair in the first place, an extension of their 1980s
monthly Meet the Presses (an organization that began holding annual small press
fairs again after the demise of the original Toronto Small Press Fair). Such is
the nature of the arts, I suppose, when those in the long game are often taken
for granted until an anniversary or some other declaration, when so many others
emerge making far more noise and demanding greater attention. Stuart is here
and he has always been, it would seem. Why aren’t more paying attention?</span></span><br />
<br />
<br />
<br />
<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-VIEbMmZmFIc/XXUOV2zIKMI/AAAAAAAAfpE/viF-4dQP--camymwSNDoT87VLPe7Xw5swCLcBGAs/s1600/WIN_20190419_10_11_23_Pro.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://1.bp.blogspot.com/-VIEbMmZmFIc/XXUOV2zIKMI/AAAAAAAAfpE/viF-4dQP--camymwSNDoT87VLPe7Xw5swCLcBGAs/s400/WIN_20190419_10_11_23_Pro.jpg" width="400" /></a></div>
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Born
in Ottawa, Canada’s glorious capital city, <a href="http://robmclennanauthor.blogspot.ca/"><b>rob mclennan</b></a> currently lives
in Ottawa, where he is home full-time with the two wee girls he shares with
Christine McNair. The author of more than thirty trade books of poetry, fiction
and non-fiction, his most recent poetry titles include <i>A halt, which is empty</i> (Mansfield Press, 2019) and <i>Life sentence,</i> (Spuyten Duyvil, 2019). The
managing editor of <i>many gendered mothers</i>,
he is editor/publisher of <i>seventeen seconds: a journal of poetry and poetics</i>,
T<i>ouch the Donkey</i> and the Ottawa
poetry pdf annual <i>ottawater</i> as well as above/ground press, which
recently celebrated twenty-six (so far) years of poetry chapbook-publishing activity.</span></span><br />
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-27121168491589616512019-09-04T13:00:00.003-04:002019-09-04T13:00:00.725-04:00Proper Tales Press 40th anniversary essay: Michael Dennis<span style="font-size: large;"></span><br />
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<span style="font-size: large;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Dear
rob,</span></b></span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-iw-d8aI8fl4/XW1rOEFq-hI/AAAAAAAAfnc/K0dY8lyFzOUrCMl3ybaPaDAa5Gl1M79OwCEwYBhgL/s1600/IMG_0388.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1196" height="400" src="https://1.bp.blogspot.com/-iw-d8aI8fl4/XW1rOEFq-hI/AAAAAAAAfnc/K0dY8lyFzOUrCMl3ybaPaDAa5Gl1M79OwCEwYBhgL/s400/IMG_0388.JPG" width="298" /></a></span></div>
<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">My experience
with Proper Tales Press goes back to meeting a sandwich board wearing teenage
Stuart Ross selling his chapbooks in front of the Eaton Center.<span style="mso-spacerun: yes;"> </span>It was instantly obvious, I'd met the coolest
person in Canada.<span style="mso-spacerun: yes;"> </span>I don't want to say I
idolized Stuart Ross and what he was doing was Proper Tales Press, but after
that meeting one of my life goals was to be published by Proper Tales
Press.<span style="mso-spacerun: yes;"> </span>I now have three titles with
Proper Tales Press, <i style="mso-bidi-font-style: normal;">forgiveness, my new
sideline</i> (2009), <i style="mso-bidi-font-style: normal;">A Tiresome Litany of
Indignities </i>(2014) and <i style="mso-bidi-font-style: normal;">Diving - The
Margaret Laurence Poems</i> (2019).<span style="mso-spacerun: yes;"> </span>I'm
hoping to have several more before he and I through.<span style="mso-spacerun: yes;"> </span></span></div>
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<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Stuart Ross has
been one of my closest friends as an adult so it is hard for me to talk about
Proper Tales Press without talking about Stuart.<span style="mso-spacerun: yes;"> </span>Stuart Ross totally changed my poetry life
when he approached Anvil Press with my manuscript for <i style="mso-bidi-font-style: normal;">Bad Engine</i> (Anvil Press, 2017).<span style="mso-spacerun: yes;">
</span>It never would have happened without Stuart's prompting and
guidance.<span style="mso-spacerun: yes;"> </span>Because I know Stuart and know
some of what he does behind the scenes I know that what is true for me is true
for dozens of Canadian poets, and a few American poets as well.<span style="mso-spacerun: yes;"> </span>Stuart Ross supports the dreams of other
writers.<span style="mso-spacerun: yes;"> </span>Many of them he publishes in
Proper Tales Press and many others he gets published with a variety of Canadian
presses.<span style="mso-spacerun: yes;"> </span>His influence is remarkable and
I know that I'm not the only poet who prides their Proper Tales Press titles
close to their hearts.</span></div>
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<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Proper Tales
Press is fearless and laser tuned, Stuart continues to find the newest,
sharpest voices.<span style="mso-spacerun: yes;"> </span></span></div>
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<span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: large;">Our guest room is
called the "Stuart Ross Guest and Reading Room" for good reason.<span style="mso-spacerun: yes;"> </span>I am happy to say then when Stuart spends
time in Ottawa he frequently spends it at our place.<span style="mso-spacerun: yes;"> </span>I get an inside look at the going's on in the
Proper Tales Press machine.<span style="mso-spacerun: yes;"> </span>I find I'm
still that kid, dazzled by the improbable yet obvious magical skills of the one
of the most imaginative people I've ever had the pleasure to know. </span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-6cQDrnmWcMI/XW1rXNBuuMI/AAAAAAAAfng/k3UUwuC420EnDqqMshI00HiKmk0nd5SlgCEwYBhgL/s1600/thumbnail_image.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="638" data-original-width="960" height="265" src="https://1.bp.blogspot.com/-6cQDrnmWcMI/XW1rXNBuuMI/AAAAAAAAfng/k3UUwuC420EnDqqMshI00HiKmk0nd5SlgCEwYBhgL/s400/thumbnail_image.png" width="400" /></a></span></div>
<span style="font-size: large;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";"><a href="http://michaeldennispoet.blogspot.com/">Michael Dennis</a> </span></b><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">is
a poet from Ottawa, Ontario.<span style="mso-spacerun: yes;"> </span>He has
published numerous books and chapbooks, and has been widely published in
Canadian literary journals and magazines. For the last six
years Dennis has been the labour behind “Today’s book of poetry” a regular blog
where Dennis talks about books of poetry he likes. Dennis has posted 772
blogs/reviews of Canadian and American small press poetry. His chapbook <a href="http://abovegroundpress.blogspot.com/2019/08/new-from-aboveground-press-president-of.html"><i style="mso-bidi-font-style: normal;">The President of the United States</i></a>
appeared recently with above/ground press. These days he can be found on his
porch in Vanier.</span></span><br />
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-89185393436603006642019-08-28T13:00:00.000-04:002019-08-28T13:00:09.439-04:00Proper Tales Press 40th anniversary essay: Mark Laba<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><b><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif";">Be Ace Be Trendy</span></b></span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-WuD5rfp_n5I/XWLxGLAJKXI/AAAAAAAAflY/5gp9XDKrIpsHGPsERMfjE8OHb3LYDu3YQCLcBGAs/s1600/md30141215761.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="459" data-original-width="300" height="400" src="https://1.bp.blogspot.com/-WuD5rfp_n5I/XWLxGLAJKXI/AAAAAAAAflY/5gp9XDKrIpsHGPsERMfjE8OHb3LYDu3YQCLcBGAs/s400/md30141215761.jpg" width="261" /></a></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">“Be Ace. Be Trendy” I remember when I first
read these words. Actually, I don’t but I do remember reading them and thought,
yes, I want to be ace and trendy, I want to be those things and even more and
then Stuart Ross, the author of those words and a friend since I’d met him at
age of five called me and asked me if I wanted to get in on the ground floor of
this amazing Proper Tales Press project of his. There were millions to be made,
he claimed and private jets with all the cheese blintzes you could eat and
dancing girls and spies dressed as schnauzers on rhinestone leashes and
precious gems smuggled in vats of schmaltz herring. It was almost like the old
childhood <i>Man From U.N.C.L.E.</i> days
when he was Napoleon Solo and I was Illya Kuryakin. Anyway, I was in.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Okay, that didn’t happen either but I do
remember Stuart training for the day he would launch Proper Tales, grinding out
an early publication of ours, <i>Moscow, A
Tale of Africa</i>, on his dad’s office Gestetner machine. As if he were an
early Bathurst Manor purveyor of pulp fiction but his tastes always ran to the
surreal and offbeat, the lowdown, the downtrodden, the sad sacks of the world
(as kids Stuart was a fan of <i>Sad Sack</i>
comics, which might account for his Beckett leanings), so you could almost see
the morphing of his literary tastes, this eclectic mental library of influences
and meanderings, finding their way from his brain to the page, not just in his
writing but in this need to publish from an early age. Later this became an
overriding sense that the writers and poets he knew or didn’t know but whose
work he loved should be championed on the printed page in book form and so,
Proper Tales was born. I think.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Forty years later and still kicking against the
pricks of established Canadian publishing.<span>
</span>Proper Tales Press dances light as a feather upon the brain, as
ingrained in the small press scene as a loon call on a lonely lake in the
Canadian psyche. A formidable accomplishment, a Calder-sculpture-like balancing
act not unlike the images that adorn many Proper Tales Press covers, a
simplicity of line and design that portend death-defying poetics inside, or at
least some pretty damn innovative writing from an ever-expanding list of poets
prodded, poked and always promoted by Stuart for their work. The mensch of
Canadian small press with a now global reach.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">The early days, after the publication of my
Proper Tales book of poetry, <i>Movies in
the Insect Temple</i>, seemed like a sidewalk selling baptism-by-fire as,
taking a cue from the legendary Crad Kilodney who Stuart emulated in his
offbeat sales approach, I too stood with a sign around my neck flogging my book
proudly despite the pitfalls and prevails that come with standing like a
lunatic on Yonge St. selling poetry. Lillian Neckakov and Michael Boyce were
out there too. I lasted a while I believe and my daily goal was a hamburger, a
gram of hashish, a pack of smokes and hopefully a box of Peak Freens. High
hopes. Crad would treat me to burgers from time to time, even when he didn’t
have a two-for-one coupon, which I thought was quite generous. But out there we
stayed, this odd little nickel and dime bookselling economy, braving the
elements, human and otherwise. Making a buck and promoting poetry the Proper
Tales way. This was truly an influential moment in my writing life and even
now, I think, both lends and bends my perspective to this insane idea you can
still take poetry to the streets.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">I like to think to this day I still embody the
principles that Proper Tales Press elicits in both its writers and readers.
That is this dedication to forms of writing that continue to challenge what
writing is and can be and need not be consumed but rather reflected upon to
create a dialogue between reader and writer, a quiet conversation about the
journey of words. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">In the end, it’s as much our journey as
Stuart’s and his fantastic press, this endless discovery taking whatever
printed form is available for the occasion, from the chapbook to a slap-dash
leaflet to hand out at a reading at the last minute, this fly-by-the-seat-of-your-pants
perfection and honestly the greatest thing about Proper Tales Press is its
continued improperness in the world of fly-by-night literary conjurings. </span></span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-398qKs_-dSE/XWLxKeab5ZI/AAAAAAAAflc/yVmW8m8v79o9kObtXZr40EeG2spsxkdLgCLcBGAs/s1600/thumbnail_IMG_0034.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="300" src="https://1.bp.blogspot.com/-398qKs_-dSE/XWLxKeab5ZI/AAAAAAAAflc/yVmW8m8v79o9kObtXZr40EeG2spsxkdLgCLcBGAs/s400/thumbnail_IMG_0034.jpg" width="400" /></a><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";"><b>Mark Laba</b> is an artist and writer living in Vancouver. He was once a restaurant reviewer for a daily newspaper. He’s also painted anatomical models and faux-finished artist wall tiles, been a darkroom technician, assembled cheap watches for crappy department stores, made nametags, vertical blinds and was a scriptwriter for Flash animations dealing with conflicts in the business workplace, a topic he was ill-equipped to write about. His most recent book of poetry is <a href="http://www.anvilpress.com/Books/the-inflatable-life"><i>The Inflatable Life</i></a>, A Feed Dog Book, Anvil Press, 2019.<br /><br />Laba is the author of the Proper Tales Press titles <i>Movies in the Insect Temple </i>(1981) and, with Stuart Ross, <i>Africa: A Tale of Moscow</i> (1979).</span></span></div>
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<br />rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-21218833125953170342019-08-14T13:00:00.000-04:002019-08-14T13:00:06.867-04:00Proper Tales Press 40th anniversary essay: Michael Boyce<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><b><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Proper
Tales Press and Stuart Ross</span></b></span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-bDmfkXmeP_c/XVAy3ynfnNI/AAAAAAAAfcE/lqXGzN3hheEGe_MAmSPPH7KjSA89RwlTQCLcBGAs/s1600/60345168_10157119377850692_5015699839476826112_o.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://1.bp.blogspot.com/-bDmfkXmeP_c/XVAy3ynfnNI/AAAAAAAAfcE/lqXGzN3hheEGe_MAmSPPH7KjSA89RwlTQCLcBGAs/s400/60345168_10157119377850692_5015699839476826112_o.jpg" width="300" /></a></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">I met Stuart Ross and Lillian Necakov together
in a class on James Joyce in University. Not long after, Stuart introduced me
to Marc Laba. Right away I thought they were wonderful people and I was totally
enthralled with their writing, publishing and self-distribution project. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">I had seen Stuart before on the street selling
his books, along with Crad Kilodney, who I used to stop and chat with from time
to time, and who’s books I always purchased. And when I put it together that he
was the guy I was chatting with in class, I was intrigued.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">This was the era when Do It Yourself was an
exciting prospect, particularly because of the available resources and capacity
to make something happen was at the time great. Punk Rock did a lot to inject
this spirit generally into the arts, and as a result, unique artistic
expression in a number of mediums flourished. Not all of it was brilliant - but
some of it truly was. Video, music, theatre, film, performance, poetry and
literature all were democratized in relation to access, to production,
distribution and presentation. This was quite notable in Toronto at the time. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">I was excited by many examples of this DIY
spirit, and I was already participant as a member of music group called The
Points. But I also was experimenting with super-8 film making and dreaming
about short and long form writing projects, both literary and philosophical. As
a high-school dropout, I entered University as a mature student, and it was
partly for the sake of meeting people with a shared taste for creative
diversity and experimentation. Stuart, Lillian and Marc – all Proper Tales
Press authors, all distinctive, unique, stimulating writers and performers — I found
to be precisely that. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Stuart was so open and generous. He showed a
genuine interest in my work. Invited me to contribute to the press. I wrote <i>Hit By A Rock</i>, which he published and
did the drawings for. I became one of those people standing on the street with
a sign around my neck. I loved the different tag lines that everybody used. One
of mine was “Weirdo Writer”. It was quite the thing to face the public in this
way. To feel the mixture of bemused and amused curiosity as well as the
derisive contempt for this approach was very interesting — unsettling and yet
also empowering. This specific aspect of Proper Tales Press work is something
worth reflecting on at length elsewhere at some other time. But one thing it
definitely did for me was raise my estimation and admiration for Stuart’s
tenacity. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Proper Tales Press is as remarkable to me now as
it was then. The breadth of writing styles is truly inspiring. I love that the
writers with this press present work that is at once experimental, enthralling
and entertaining. I’ve always found Stuart’s work to be precisely that. He
manages to produce in me a feeling of familiarity in the midst of great
whimsical and yet also sometimes tragic strangeness. It is a testament to what
a great editor and curator of talent he is that he manages to, through Proper
Tales Press, and so many other of his projects, continue to surprise, delight,
and provoke readers with writing that is at once accessible and challenging. </span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Proper Tales Press at forty has a nearly
unparalleled history of consistently great publishing, and it is still doing
so. Amazing, simply amazing. </span></span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-OhA8SV5eKJ8/XVAy7nzeXFI/AAAAAAAAfcI/rjBHcqStawoNzLzWvro7bnw6f9ilsTEQQCLcBGAs/s1600/me%2BPNE%2B2018%2BAug.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="454" data-original-width="337" height="320" src="https://1.bp.blogspot.com/-OhA8SV5eKJ8/XVAy7nzeXFI/AAAAAAAAfcI/rjBHcqStawoNzLzWvro7bnw6f9ilsTEQQCLcBGAs/s320/me%2BPNE%2B2018%2BAug.png" width="237" /></a></span></div>
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<span style="font-size: large;"><a href="https://twitter.com/mjbwriting"><b><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Michael Boyce</span></b></a><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">
is a writer of poetry, fiction and philosophy. He has been published by Proper Tales
Press and Pedlar Press. He is also a member of the experimental music group The
Killer Apps.</span></span></div>
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">He is the author of the Proper Tales Press title <i>Hit By a Rock </i>(1982).</span></span></div>
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-32810475567754713512019-08-09T13:00:00.000-04:002019-08-09T13:19:44.088-04:00Proper Tales Press 40th anniversary essay: Lillian Necakov<!--[if gte mso 9]><xml>
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<a href="https://1.bp.blogspot.com/-rwVsBya7qvw/XUsbTkFBvMI/AAAAAAAAfak/RijuLRqyl1kMeZAWTyviVKBugPeAbfxlwCLcBGAs/s1600/and%2Bcrunch.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="400" src="https://1.bp.blogspot.com/-rwVsBya7qvw/XUsbTkFBvMI/AAAAAAAAfak/RijuLRqyl1kMeZAWTyviVKBugPeAbfxlwCLcBGAs/s400/and%2Bcrunch.jpg" width="300" /></a></div>
<div class="MsoNoSpacing">
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I first met Stuart Ross in 1978 at York
University. He was the quirkiest, coolest person I had met <i>and </i>he was a writer! Incredible to have a friend who was so
passionate about writing and self-publishing, which he introduced me to.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I had never really considered the possibility
of creating my own books, let alone actually publishing them and selling them
on the streets of Toronto. But thanks to Stuart and <i>Proper Tales Press</i> I was inspired to start my own micro-press
called <i>Surrealist Poets Gardening
Association</i> and to muster the courage to stand on Yonge street, with a sign
around my neck and peddle books.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">For me, the early 1980s was a magical time, we
were all young and bursting with creativity, unwavering in our commitment to
our art and we were doing what we loved. At the helm of it all, was Stu. He
played a huge role in cultivating the small press community in Toronto. He was
a force, he was, and still is, a huge influence on so many of us.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I remember spending many nights collating,
assembling and stapling books at various kitchen tables with Stuart, Nick
Power, Jim Smith and others. Often we were preparing books to sell at readings,
on the street or at The Toronto Small Press Book Fair which Stuart and Nick
started back in 1987. It was never about the money, always about getting our
words into the hands of readers and we tried to do this by any means necessary.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I imagine Stuart at his kitchen table in
Coburg, Ontario, still at it 40 years later. Doing what he loves, making books,
imagining a world where anything is possible and anyone can be a “published
writer”, anyone can “be ace, be trendy”.
And I hope he continues for another 40!</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Thanks Stu, for everything you do and
everything you stand for!</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Over and out.</span></span><br />
<br />
<br />
<br />
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-sqrEi8y5m0k/XUsbQNvSZOI/AAAAAAAAfag/qdmGWL010gMJLOg-_PWhwDIF3dykuu-3gCLcBGAs/s1600/Lill.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="512" height="320" src="https://1.bp.blogspot.com/-sqrEi8y5m0k/XUsbQNvSZOI/AAAAAAAAfag/qdmGWL010gMJLOg-_PWhwDIF3dykuu-3gCLcBGAs/s320/Lill.jpg" width="320" /></a></span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; font-size: 12.0pt;"><span style="font-size: large;"><a href="https://twitter.com/lilliannecakov?lang=en"><b>Lillian Necakov</b></a> is the author of <i>Hooligans</i> and <i>The Bone Broker </i>(<a href="http://mansfieldpress.net/lillian-necakov/">Mansfield Press</a>), <i>Hat Trick </i>(Exile Editions), <a href="https://chbooks.com/Books/P/Polaroids"><i>Polaroids</i></a> (Coach House Books), <a href="https://apt9press.wordpress.com/books/lillian-necakov-the-lake-contains-an-emergency-room/"><i>The Lake Contains an Emergency Room</i></a> (Apt. 9 Press,) <i>and crunch </i>(Proper Tales Press) along with several other titles. Her works have been published in Canada, the US, Europe and China. In the 1980s, Necakov used to sell her books on the streets of Toronto. These days she works at the Toronto Public Library and runs the Boneshaker Reading Series. </span></span></div>
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-60493012416608828732019-08-07T13:00:00.000-04:002019-08-07T20:24:45.038-04:00Proper Tales Press 40th anniversary cento: Hugh Thomas<div class="separator" style="clear: both; text-align: center;">
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<![endif]--><a href="https://1.bp.blogspot.com/-MNlHue7lH7Q/XUDJGE6XiPI/AAAAAAAAfWg/RzI89yi9XMMSoX57Nwb-tc-pmlpegBAegCLcBGAs/s1600/Untitled.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1058" height="640" src="https://1.bp.blogspot.com/-MNlHue7lH7Q/XUDJGE6XiPI/AAAAAAAAfWg/RzI89yi9XMMSoX57Nwb-tc-pmlpegBAegCLcBGAs/s640/Untitled.jpg" width="420" /></a><span style="font-size: x-large;"><b><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Proper Tales cento</span></b></span><br />
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<br /></div>
<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Turn
up the sunlight, I'm in</span></span><br />
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Morningside
Heights</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";"></span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";"> </span></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Praise
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Praise
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I
wish Frank O'Hara weren't dead</span></span><br />
<div class="MsoNormal">
<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">now
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<br /></div>
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">It's
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I kick the cat simply</span></span></div>
<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">because
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<br /></div>
<div class="MsoNormal">
<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Place
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Employ
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">just
to create a din</span></span><br />
<div class="MsoNormal">
<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">I
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<br /></div>
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";"></span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">A
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">We
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">Now
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<span style="font-size: x-large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";">and
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-eRIooqVyT74/XUDJAaLfZRI/AAAAAAAAfWc/tv6CdeOn0GoU9NzeBQKq24-a_dz418lAgCLcBGAs/s1600/HughThomas.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1500" height="266" src="https://1.bp.blogspot.com/-eRIooqVyT74/XUDJAaLfZRI/AAAAAAAAfWc/tv6CdeOn0GoU9NzeBQKq24-a_dz418lAgCLcBGAs/s400/HughThomas.JPG" width="400" /></a></div>
<div class="MsoNormal">
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";"><b>Hugh Thomas</b> is a poet and translator living in Montréal, where he teaches mathematics at UQAM. <a href="https://invisiblepublishing.com/product/maze/"><i>Maze</i></a>, his debut poetry collection, was published by Invisible Publishing in June 2019. His poetry has appeared in chapbooks published by Bookthug, Paper Kite Press, above/ground, and, most recently, shreeking violet press (in a collaboration with Stuart Ross and Dag Straumsvåg). <br /><br />He is the co-translator, with Catherine Cormier-LaRose, of the Proper Tales Press title <i>La Peur Handicapée of the Underwood</i>, by Marie-Ève Comtois and Stuart Ross (2017).</span></span></div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
<br /></div>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-27556058842682442172019-08-02T13:00:00.000-04:002019-08-02T13:00:01.963-04:00Proper Tales Press 40th anniversary essay: Dale Tracy<div class="separator" style="clear: both; text-align: center;">
</div>
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<![endif]--><span style="font-size: large;"><b><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif";">Reading Each Other</span></b></span><br />
<div class="MsoNormal">
<br /></div>
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif";"><a href="https://1.bp.blogspot.com/-gG4OcVeSg6I/XUDGHYjSh7I/AAAAAAAAfWM/qzBJ2-M3OkUYZfWTmdYuLvT-U1zXj0oTwCLcBGAs/s1600/Dale%2BTracy%2Bchapbook.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://1.bp.blogspot.com/-gG4OcVeSg6I/XUDGHYjSh7I/AAAAAAAAfWM/qzBJ2-M3OkUYZfWTmdYuLvT-U1zXj0oTwCLcBGAs/s400/Dale%2BTracy%2Bchapbook.JPG" width="300" /></a>Into
a remarkable meeting of words I happened, invited by a chapbook launch, by
people and their books. My own proper tale grew its covers before I knew much
about the story we were in, but the words catching my first look with their
fishing nets winked and nodded. Now how far back the words go waves all its
people like twined fingers exposed inside two hands, twined laurels or other
braided plants of feats the tale’s people achieve for it. So many people in
forty years to know inside those hand bindings and Proper Tales offers the
records that keep marking people and books that I’m sure don’t behave properly
to sit still for the picture to capture or remark them. I’m sure the Proper
Tales people are in each other’s books, reading each other. Stuart Ross gets
people reading each other with poems who participate in book recommendation and
bibliography. How many words’ nets I am wearing now for reading them! Proper
Tales makes me want to know all the ways to not sit still the people and their
words have found. But I don’t have the retrospective perspective. This is an
anticipation.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif";"></span></span><br />
<br />
<br />
<a href="https://1.bp.blogspot.com/-22CRuj7VHbs/XUDGClY7lPI/AAAAAAAAfWI/kkT3C6w0ttwznn9Rt2gx77JMhA-_scUQgCLcBGAs/s1600/Dale%2BTracy%2Bpic.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://1.bp.blogspot.com/-22CRuj7VHbs/XUDGClY7lPI/AAAAAAAAfWI/kkT3C6w0ttwznn9Rt2gx77JMhA-_scUQgCLcBGAs/s400/Dale%2BTracy%2Bpic.JPG" width="300" /></a><span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif";"><b><a href="https://www.rmc-cmr.ca/en/english/dale-tracy">Dale Tracy</a> </b>teaches in the Department of English, Culture, and Communication and is currently the Associate Chair of the Writing Centre at the Royal Military College of Canada. The focus of her scholarly work varies as much as her curiosity, but poetry is one of her favourite areas of specialty. She wrote the monograph <i><a href="https://www.mqup.ca/with-the-witnesses-products-9780773550285.php">With the Witnesses: Poetry, Compassion, and Claimed Experience</a> </i>(McGill-Queen’s, 2017) and the four-poem chapoem <a href="http://www.puddlesofskypress.com/index.html"><i>What It Satisfies</i></a> (Puddles of Sky Press, 2016). <br /><br />She is the author of the Proper Tales Press title <a href="http://robmclennan.blogspot.com/2018/11/ongoing-notes-meet-presses-part-one.html"><i>Celebration Machine</i></a> (2018).</span></span><br />
<br />
<br />
<span style="font-size: large;"><b><span lang="EN-CA" style="background: white; font-family: "Baskerville Old Face","serif";"></span></b></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"></span></div>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-77630700498863870392019-07-31T13:00:00.000-04:002019-07-31T13:00:00.931-04:00Proper Tales Press 40th anniversary essay: Derek Beaulieu<!--[if gte mso 9]><xml>
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<div class="MsoNoSpacing">
<span style="font-size: large;"><b><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">“test-tubing
in the very fertile underground”</span></b></span></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<br /></div>
<span style="font-size: large;">
</span><div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-saonHCffuA0/XTi6s8-MiwI/AAAAAAAAfTY/pQLVG1_XjX8uPfWMnogEK4eJunYuVQ0dgCLcBGAs/s1600/9A90571B-0BA5-44BA-9346-1181E74772C5.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1374" height="400" src="https://1.bp.blogspot.com/-saonHCffuA0/XTi6s8-MiwI/AAAAAAAAfTY/pQLVG1_XjX8uPfWMnogEK4eJunYuVQ0dgCLcBGAs/s400/9A90571B-0BA5-44BA-9346-1181E74772C5.jpeg" width="342" /></a></div>
<div class="MsoNoSpacing">
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">When I started small press publishing in 1997,
Stuart Ross’ work was a model – his work making space for writers, for
carefully editing work, for being a careful critic and word-spreader – for
being both highly particular and deeply responsive. A soundpoet, a novelist, a
poet, a publisher, a critic – he sets the bar. With his “Hunkamooga” column in <i>Word: Toronto’s Literary Calendar</i>,
Stuart provided for me, way over here in Alberta, a chance to access the
conversation, to learn more about small press publishing, and to take it all
with a grain of salt. Geography has, for the most part, prevented me from
sharing in-person conversations with Stuart; the few I’ve had have made a huge
difference. I admire him and his work. Proper Tales has provided an access point
to so many other presses, authors, poets and exchanges; it’s not a voice in the
dark, it’s a chat in the conversation. My favourite Proper Tales press edition
is Ron Padgett’s <i>IF I WERE YOU</i> (376
copies, March 2007 with an additional 26 copies bound in boards, lettered and
signed by the author. I have “E”.) which features collaborative writing between
Padgett and Bill Berkson, Ted Berrigan, Tom Clark, Larry Fagin, Dick Gallup,
Allen Ginsberg, Lita Hornick, Alice Notley, Douglas Oliver, James Schuyler, Tom
Veitch, and Yu Jian (with a cover drawing by Joe Brainard). Not only is the
edition beautifully designed, it also sums up the press to me: a book that is
doing exactly what it needs to do folding down the sheets on the </span><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">“breeding gound of invention.”</span> 40
years ain’t nothing, nope it’s everything.</span></span></div>
<span style="font-size: large;">
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<br /></div>
<span style="font-size: large;">
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<a href="https://1.bp.blogspot.com/-1eN4V-YzR6I/XTi6kl0HtRI/AAAAAAAAfTQ/YNWtFrPbc7IC-1k4TLohBl29KvMH3sHfACLcBGAs/s1600/images.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="286" data-original-width="176" height="400" src="https://1.bp.blogspot.com/-1eN4V-YzR6I/XTi6kl0HtRI/AAAAAAAAfTQ/YNWtFrPbc7IC-1k4TLohBl29KvMH3sHfACLcBGAs/s400/images.jpg" width="246" /></a></div>
<div class="MsoNoSpacing">
<span style="font-size: large;"><a href="https://derekbeaulieu.wordpress.com/"><b><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">Derek Beaulieu</span></b></a><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";"> is the
author/editor of over twenty collections of poetry, prose, and criticism,
including two volumes of his selected work, <em><span style="border: none windowtext 1.0pt; font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: Arial; mso-border-alt: none windowtext 0in; padding: 0in;">Please, No More Poetry (2013) </span></em>and <em><span style="border: none windowtext 1.0pt; font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: Arial; mso-border-alt: none windowtext 0in; padding: 0in;">Konzeptuelle
Arbeiten (2017</span></em>). His most recent volume of fiction, <i>a, A Novel</i> was published by Paris’s Jean
Boîte Editions and in 2018 he edited <i>Nights
on Prose Mountain: The Fiction of bpNichol</i>. Derek Beaulieu holds a PhD in
Creative Writing from Roehampton University and is the Director of Literary
Arts and Banff Centre for Arts and Creativity.</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";"> </span></span></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face", "serif";">He is the author of the forthcoming Proper
Tales Press title <i>extispicium </i>(2019).</span></span></div>
<div class="MsoNoSpacing">
<br /></div>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-68921482352871809762019-07-26T13:00:00.000-04:002019-07-26T17:33:04.280-04:00Proper Tales Press 40th anniversary essay: Clint Burnham<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><b><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Who knows? Thoughts theoretical and otherwise on (im)Proper
Tales:</span></b></span></div>
<span style="font-size: large;">
</span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-_lElJyd6c0w/XTUUmjlTzII/AAAAAAAAfRU/CMUCJ2x2Et0zXIdSbYdF-c0spNnmpAsJgCLcBGAs/s1600/proper%2Btales%2Bburnham.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="759" data-original-width="486" height="400" src="https://1.bp.blogspot.com/-_lElJyd6c0w/XTUUmjlTzII/AAAAAAAAfRU/CMUCJ2x2Et0zXIdSbYdF-c0spNnmpAsJgCLcBGAs/s400/proper%2Btales%2Bburnham.jpg" width="255" /></a></span></div>
<div class="MsoNormal">
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">I am writing this in the interior of British Columbia,
on the outskirts of Kelowna, where I am staying in a tiny student residence
room for the month of July as part of a Summer Indigenous Intensive course that
the Secwépemc artist Tania Willard runs. Kelowna is not on Secwépemc territory,
it is Syilx; before, and still for some settlers, these nations were referred
to as the Shuswap and Okanagan, respectively. In the course, we learn about
what it means to be an uninvited guest on Indigenous territory, about how
land-based aesthetics and politics are taking shape today, and about what
possibilities there are for these discussions in a university.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">This is what I have been offering for the past year or
so, usually, by way of a bio, or part of a bio: I was born in Comox, British
Columbia, which is on the traditional territory of the K’ómoks (Sathloot) First
Nation, centered historically on kwaniwsam. I live on the traditional ancestral
territories of the Coast Salish peoples, including traditional territories of
the Squamish (S</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">ḵ</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">wx</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">̱</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">w</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA; mso-bidi-font-family: Garamond;">ú</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">7mesh </span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA; mso-bidi-font-family: Garamond;">Ú</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">xwumixw), Tsleil-Waututh (s</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">ə</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">l</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">̓</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">ilw</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">̓ə</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">ta</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">ʔɬ</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">), Musqueam (x</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">ʷ</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">m</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">əθ</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">k</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">ʷə</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">y</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">̓ə</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">m), and Kwikwetlem (k</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">ʷ</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">ik</span><span lang="EN-CA" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-CA;">ʷəƛ̓ə</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">m) Nations.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Why am I beginning this way? In part, and the reason I
am taking Tania’s course, is that many (or some) mid-career academics like
myself are taking the prompts of discussions over the past few years, coming
out of the Truth and Reconciliation Commissions’ reports on residential
schools, or the Missing and Murdered Indigenous Women and Girls Inquiry, or
ongoing travesties like the Colten Boushie verdict in 2018, to educate
themselves more fully in these matters.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">*</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">But also the matter of names. This is my way into
talking about Stuart Ross and his Proper Tales Press – thinking about his name,
and how he has reclaimed, in his own goofy but never trivializing way, his
father’s Jewish name, Razovsky, which was Anglicized (Celtized?), by Stuart’s
father, I believe. Stuart began doing so in the late 90s as I remember it (I
don’t have any of his books with me), culminating in his 2001 collection <i>Razovsky
at Peace. </i>A very chatty </span><a href="https://www.goodreads.com/book/show/570116.Razovsky_at_Peace"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">review</span></a><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;"> of that book at Goodreads includes this quote from
the title poem:</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">On the street, a guy says to Razovsky,</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">“Over there, behind those buildings:</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">nature,” Razovsky goes.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">In nature, it is much quieter.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">There is no TV, but there's animals,</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">which are like TV but furrier.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">In nature, Razovsky is damp.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">His arms and legs itch. He is</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">covered in insects.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Razovsky talks, shouts:</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">in nature, he can't understand</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">his own words. They disappear</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">into trees, behind rocks, become</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">dew. Razovsky’s shoes slide</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">along the slick leaves that carpet</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">this enormous living room.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">A squirrel comes round a tree trunk,</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">its head stretched out, its nostrils</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">twitching. Razovsky twitches back.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">They stare, time passes,</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">they stare. The squirrel’s watery eyes</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">blink. Razovsky obeys.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">He lies down in the moist leaves,</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">lets his limbs go limp.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Beyond the highest branches of the trees,<br />through the space the leaves leave,</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">he sees the sky, the clouds. He is</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">engulfed by screeches and scratchings</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">and thuds and buzzings. The song</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">of birds he cannot name. He was never</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">good at this stuff.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">He closes his eyes, lets the sky</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">suck itself back into the sky.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Everything is orderly. For example:</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">a potato-chip bag bounces near in a breeze.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">It becomes wedged between two rocks,</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">flutters, rustles.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Time passes. Razofsky becomes</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">part of the ground. The chip bag</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">becomes a butterfly, as ordained</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">by nature; it struggles from its</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">cocoon, bats its wings,</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">tugs frantically,</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">but still it is lodged</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">between the rocks. Razovsky</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">is not surprised</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">He looks up from the ground</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">at the same moment</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">he looks down from the trees.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">His eyes meet his eyes.</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">There is a flicker</span></span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">of recognition.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Junk food figures prominently in Ross’s poetry
(another poem in the collection, “Ten Ways of Looking at Me,” includes the
lines “I wonder what love is/while eating my/eighteenth bag/of potato chips,”
and in another, “Meanwhile, in Costa Rica,” we learn that “The
dictator/chose/between/soft drinks”) – but here the chip bag turns into a
butterfly, “as ordained/by nature.” Ordained by nature. How, then, I wonder, is
the Western lyric’s turn to nature similar to or different from a land-based
aesthetic as promulgated by Indigenous art today?</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">*</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">What does it mean to reclaim your ethnic name – Ross
has never been shy about his Jewish identity, about playing with it, in his
poetry – and how is that different for an immigrant or settler or refugee to do
so from, say, an Indigenous reclamation, on the one hand, or another kind: an
adoption, say?</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">In the early 1970s my family adopted an Indigenous
baby girl into our family when we were living in Edmonton. We were living in
Edmonton, on the air base, because until just before then we had been living in
Bagotville, Quebec, on another airbase, and when we were living in Quebec, my
mother gave birth, prematurely, to triplets – two girls and a boy. The babies
all died – I think within hours? a few days? – and the air force decided the
way to help us deal with that grief was to move us. Basically, how the air
force took care of the families of its airmen was to move them a lot so we would
not get too attached to any one place, form relationships or communities. So,
we were in Edmonton and my parents adopted a baby as some kind of sad
recompense. When my parents told my father’s parents that they had adopted a
baby, my grandfather asked over the phone, “is she blond and blue-eyed?” No one
in my family is blond: they meant, is she white? What’s interesting about that
exchange is that it would have been the perfect time for my grandparents to
tell my father that he, too, was adopted. Instead, he only learned this more
than thirty years later, in the early 2000s, when a drunk at a wedding told my
sister that he and my father were both orphans, and the truth came out. My
father ended up meeting his birth mother, which is kind of amazing, since he
was in his 60s and she in her 80s. His father, an Icelandic-Canadian soldier
who died at Dieppe, was not named Burnham – which is the name of the people who
adopted my father and never told him (my grandfather had died before my father
learned the truth, and my grandmother was in the throes of Alzheimer’s – so
neither ever learned that <i>he knew).</i> </span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">So we have these different kinds of false names – colonial
mis-hearings of Indigenous names (the name of August Jack Khatsahlano, or
Xats'alanexw, a Squamish chief, becomes Kitsilano, the Vancouver neighborhood;
Secwépemc becomes Shuswap), translations of a Jewish name into a Celtic one, or
the replacement of one family name with another. If, as poets, we deal with
language, and with names, what do we do with these mis-namings, without
flattening them all out (all language is violence)?</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Stuart’s nickname: for a while he went by Stuart
“Pods” Ross – named by Opal Nations, because he didn’t like fruit with seeds in
them? This was way before iPods.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">*</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">But what readers may want – what I am damn sure rob
mclennan wanted, when he asked me to write about Stuart’s Proper Tales Press –
is for me to talk about the press itself. To offer some reminisces. Such as: In
the late 1980s, I moved to Toronto, and one of two things happened first.
Either I went to a Small Press Book Fair at St. Paul’s-Trinity church on Bloor
street, and met Stuart there, OR I met Stuart on Yonge Street, where he was
selling his books. If the former, it was, I think, because I read about the
fair in the newspaper, the morning it was happening (even thought I was only a
few blocks away, living then on Major street, in Toronto’s Annex neighborhood).
Maybe this was April 1989? OR, I had already run into Crad Kilodney, then also
selling his books on Yonge Street, because I had already read Crad’s 1980 short
story collection <i>Lightning Struck My Dick. </i>On Yonge Street, where he
would stand with some profane sign hung around his neck, for hours at a time,
selling his self-published chapbooks. And Crad suggested I talk to Stuart Ross,
who was down the same street, a block or two away, doing the same thing.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">This was a weird moment in Toronto, in its literary
and urban history: between the halcyon days of Coach House Press as a hippie
enterprise, which from its start in the 1960s and Rochdale College made such
unclassifiable book-objects like bpNichol’s <i>Journeying & the Returns </i>(1967),
and today’s transnational conglomerations of corporate publishers
(Penguin-Random-Doubleday-McClelland & Stewart), a Toronto where Yonge
street had porn shops and skinheads and Queen street was still some kind of
punk scene (see the early work of Daniel Jones and Lynn Crosbie), where dub
poetry, like Crad’s rants, like Stuart’s early sound poetry, was available on
cassette (in 1984, De Dub Poets - Lillian Allen, Clifton Joseph, and Devon
Haughton challenged the League of Canadian Poets over their book-only
criteria). Soon after running into
Stuart we met for coffee at, as I remember, Café Cappucino, on Charles street,
just off Yonge and just south of Bloor. I probably brought him some poems – I
remember him telling me he wasn’t going to just read them and offer feedback <i>right
away.</i> Stuart was a radio DJ then, his show was called the Upper Room, and
he played doo-wop from the 1950s. I wonder what Stuart would make of me writing
this while listening to the 90s R&B group Mint Condition?</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">*</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">I was looking at an </span><a href="http://www.bpnichol.ca/sites/default/files/archives/document/Journeying%20%26%20The%20Returns1.pdf"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">online pdf</span></a><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;"> of bpNichol’s <i>Journeying & the Returns </i>and
came across this citation: “I always think within myself/that there is no
place/where people do not die.” This, we are told, is a “Kwakiutl song.” The
interest of avant-garde poets in Indigenous poetry (or songs, or chants) is
longstanding, of course, and Deanna Fong recently defended her dissertation
where she situates a reading of Jordan Abel’s work in the history of how the
Dadaists sought to emulate (or appropriate, or steal) non-Western traditions.
bill bissett’s chants and rattles. The “Eskimo songs” included in Bernadette
Mayer and Vito Acconci’s <i>0-9 </i>magazine. And does it go both ways? When I
first heard Joshua Whitehead read his poetry (at Knife Fork Book in Kensington
Market, Toronto, in 2017) it really seemed like he had grabbed some of what bill
does performatively. To return to bp, “Kwakiutl” is, again, a mistranslation of
the Kwakwaka’wakw nation, on the West Coast.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">*</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">In a review I wrote of Stuart’s <i>I Cut My Finger </i>in
a 2008 issue of <i>Poetic Front </i>(you can find it online if you do some digging),
I called Stuart “the big Other of small press,” fusing together Lacanian theory
and the ephemeral literary. In that essay I wrote the following:</span></span></div>
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<span style="font-size: large;"><span style="font-family: "baskerville old face" , "serif";">Ross
gives up almost everything he can afford to in writing his poems – indeed, his
years as a punching bag for every freak on Toronto’s Yonge Street (in the 80s
and early 90s he sold his self-published chapbooks on the street, 7,000 of them
by his count) have toughened him up, and, since his father met his mother when
he challenged an anti-Semite in 1940s Toronto, Ross, we can be sure, is one
tough Jew.</span></span><br />
<br />
<span style="font-size: large;"><span style="font-family: "baskerville old face" , "serif";">A
word on Ross’s ethics. A tireless activist in the literary field of small press
(as I argued [25] years ago in <i>West Coast Line</i>), Ross has edited,
published, collected, contributed to, been excluded from, reviewed in, been
reviewed in, and criticized virtually every material (and virtual) form of
textual production, from self-stapled pamphlets to corporate textbooks, Canada
Council pimped magazines to blogs, <i>Harper’s </i>to <i>The Globe and Mail</i>,
Coach House to his own Proper Tales, <i>Mondo Hunkamooga </i>[and now </span><a href="http://bloggamooga.blogspot.com/2019/04/motel-of-opposable-thumbs-first-review.html"><span style="font-family: "baskerville old face" , "serif";">Bloggamooga</span></a><span style="font-family: "baskerville old face" , "serif";">] to <i>Who Torched Rancho
Diablo </i>to Harlequin Romances (from which he “appropriated” the <i>Rancho </i>title).
Like his co-religionist, Ross is the “subject supposed to know” of small press.
And so, unlike the “typical” small press zinester (to wax Lukácsean for a
moment), who disingenuously avers that he/she is just interested in helping the
community, <i>man</i>, Ross instead ingeniously proclaims his desire, his
lust-for-power, in the 2001 pamphlet, “I Am the King of Poetry.” There, in true
super-ego fashion, Ross declares (it is performative, a speech-act) that he is
“the king of poetry. I can make or break you.” Power in the literary world is
both a matter of production but also one of arbitration. Poetry king as ward
boss. As big Other, in the sense that “You will not write a haiku before I give
the thumbs-up.” That is, Ross’s satiric poem envisions poetry as a system, a
structure of power and production that is eventually all filed, in greedy
fashion (more narcissism), so that “everything is under ‘R’. Under ‘Ross’”. In
fact, at the level of the name, Ross’s politics (of the small press) and
poetics can be divided into two tendencies (or, rather, they divide themselves,
as language, at the level of the letter): “Ross” is the libidinal superego
tendency, while “Razovsky” is the Old Testament superego.</span></span></div>
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</span><br />
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">But the blunt
instruments with which I am interpreting Ross’s work should not mislead you
into thinking that the writing is often unknowingly propagandistic.</span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif";"> </span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">For, as a photographic project that Ross undertook during repeated
visits to Nicaraugua (an object of leftist fetishism during the early 80s, a
time of anti-apartheid activism and Central American support committees), “Dead
Cars,” demonstrates in its fine attention to decayed automobiles, Ross’s
revolution is as much aesthetic as it is social. And just as Ross’s revolution
lies between the aesthetic and the social, his poetics, those of Ross –
Razovsky – lie between these two versions – the psychoanalytic and the
political – of the tragic.</span></span><br />
<span style="font-size: large;"><span style="font-family: "baskerville old face" , "serif";"></span></span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">We might reflect on the
irony of the small press, DIY, self-publishing world having a “big Other,” a
“Subject supposed to know,” as I argue with respect to Ross. With the early
2000s fetish for craft and Etsy-esque kitsch-punk, for decentralized
entrepreneurialism and wiki-epistemology, [and now social media run amok],
however, has proceeded apace the ideological function of that neo-liberalism.
As I have argued writing on the poetry of Robert Manery in <i>Rain</i>, the
ideology of anarchy, of libertarianism, of automatism and self-direction, only
masks the practice of totalitarianism. Even small press must have a big king,
and it is to Ross’s credit that his work never hesitates from underscoring its
own arbitrariness.</span></span></div>
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</span><br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">*</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Stuart will claim that he is <i>not </i>the big Other,
that he isn’t the ward boss of small press. And in a way he’s right: in
Lacanian theory, the big Other doesn’t exist, except where we presume they do
(thus the <i>Sujet supposé de Savoir, </i>the subject <i>supposed </i>to know).
But I think he <i>does</i> know, and I am right.</span></span><br />
<br />
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Clint Burnham, Syilx Territory, July 2019</span></span><br />
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-Bzi2NRqe1A4/XTUUcwzr9QI/AAAAAAAAfRQ/kvvnVhEvKsEtVlRDqvw6uaKpYHZ1T279gCLcBGAs/s1600/Burnham%2Btshirt.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://1.bp.blogspot.com/-Bzi2NRqe1A4/XTUUcwzr9QI/AAAAAAAAfRQ/kvvnVhEvKsEtVlRDqvw6uaKpYHZ1T279gCLcBGAs/s400/Burnham%2Btshirt.JPG" width="300" /></a></span></div>
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<span style="font-size: large;"><a href="https://www.sfu.ca/english/faculty-staff/profiles/clint-burnham.html"><b><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">Clint Burnham</span></b></a><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;"> is Professor and Chair of the Graduate Program
Professor in English at Simon Fraser University in Vancouver, Canada; he is
also an Associate Member of the SFU Geography Department. He </span><span style="font-family: "baskerville old face" , "serif";">was born in Comox, British Columbia,
which is on the traditional territory of the K’ómoks (Sathloot) First Nation,
centered historically on kwaniwsam. He lives and teaches on the traditional
ancestral territories of the Coast Salish peoples, including traditional
territories of the Squamish (S</span><span style="font-family: "times new roman" , "serif";">ḵ</span><span style="font-family: "baskerville old face" , "serif";">wx</span><span style="font-family: "times new roman" , "serif";">̱</span><span style="font-family: "baskerville old face" , "serif";">w</span><span style="font-family: "baskerville old face" , "serif"; mso-bidi-font-family: Garamond;">ú</span><span style="font-family: "baskerville old face" , "serif";">7mesh
</span><span style="font-family: "baskerville old face" , "serif"; mso-bidi-font-family: Garamond;">Ú</span><span style="font-family: "baskerville old face" , "serif";">xwumixw),
Tsleil-Waututh (s</span><span style="font-family: "times new roman" , "serif";">ə</span><span style="font-family: "baskerville old face" , "serif";">l</span><span style="font-family: "times new roman" , "serif";">̓</span><span style="font-family: "baskerville old face" , "serif";">ilw</span><span style="font-family: "times new roman" , "serif";">̓ə</span><span style="font-family: "baskerville old face" , "serif";">ta</span><span style="font-family: "times new roman" , "serif";">ʔɬ</span><span style="font-family: "baskerville old face" , "serif";">), Musqueam (x</span><span style="font-family: "times new roman" , "serif";">ʷ</span><span style="font-family: "baskerville old face" , "serif";">m</span><span style="font-family: "times new roman" , "serif";">əθ</span><span style="font-family: "baskerville old face" , "serif";">k</span><span style="font-family: "times new roman" , "serif";">ʷə</span><span style="font-family: "baskerville old face" , "serif";">y</span><span style="font-family: "times new roman" , "serif";">̓ə</span><span style="font-family: "baskerville old face" , "serif";">m), and Kwikwetlem (k</span><span style="font-family: "times new roman" , "serif";">ʷ</span><span style="font-family: "baskerville old face" , "serif";">ik</span><span style="font-family: "times new roman" , "serif";">ʷəƛ̓ə</span><span style="font-family: "baskerville old face" , "serif";">m) Nations. Clint </span><span lang="EN-CA" style="font-family: "baskerville old face" , "serif"; mso-ansi-language: EN-CA;">is the author of more than a dozen books of poetry, fiction, and
criticism, including his most recent book of poetry, <i>Pound at Guantánamo</i>
(Talonbooks), and</span><span style="font-family: "baskerville old face" , "serif";"> the
chapbook <i>Volume C </i>(Proper Tales Press). He has poems in the
inaugural issue of <i>Some </i>magazine, edited by Rob Manery.</span></span><br />
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-82849422800304782622019-07-24T13:00:00.000-04:002019-07-24T13:00:02.128-04:00Proper Tales Press 40th anniversary essay: Gary Barwin<!--[if gte mso 9]><xml>
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<![endif]--><span style="font-size: large;"><b><span style="font-family: "Baskerville Old Face","serif";">No Trace and Endy</span></b></span><br />
<span style="font-size: large;"><b><span style="font-family: "Baskerville Old Face","serif";"> </span></b><b><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Arial Unicode MS";"></span></b><br /><b><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Arial Unicode MS";"></span></b></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-7U5FZ4GmT04/XTZFv6ABLPI/AAAAAAAAfR4/zWmhtkVLvX8Pl7ga7o_6PZhWQOan466_wCEwYBhgL/s1600/proper%2Btales%2Bbarwin%2Bcover.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="680" height="542" src="https://1.bp.blogspot.com/-7U5FZ4GmT04/XTZFv6ABLPI/AAAAAAAAfR4/zWmhtkVLvX8Pl7ga7o_6PZhWQOan466_wCEwYBhgL/s640/proper%2Btales%2Bbarwin%2Bcover.png" width="640" /></a></span></div>
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<span style="font-size: large;"><b><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Arial Unicode MS";">
</span></b><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Arial Unicode MS";">
</span><span style="font-family: "Baskerville Old Face","serif";">So if I were a
cow thinking back on my small press loves, on my bovine small press influences,
if I were a squirrel. What if I were a rock. Or better yet, a staple, a
colophon, or a second year music student at York University in 1985. I was one
or more of those things and I encountered Stuart Ross on a bus heading back to
Wilson station. I was 21 and I recognized this bearded guy as the publisher of
Proper Tales Press. He seemed so impossibly cool, countercultural, and urbane.
He’s at least still two of those things now. And has the wisdom of
perseverance, a steady and indefatigueable belief in speaking to the dominant
culture from his own particular perspective, of mentorship and of honouring his
influences, enthusiasm and inspirations. </span><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Hoefler Text"; mso-fareast-font-family: "Hoefler Text";"></span></span></div>
<span style="font-size: large;">
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<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Soon
after, I met him on the bus, I brought my own tiny publications down to Meet
the Presses, a monthly small press get-together, bookfair and reading that
Stuart and Nicholas Power organized at the Scadding Court Community Centre and
I became part of this Toronto small press community which included Stuart,
Nick, Lillian Necakov, jwcurry, Karl Jirgens, Mark Laba, Kevin Connolly and
others. It entirely changed my creative life. My life in general. </span><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Hoefler Text"; mso-fareast-font-family: "Hoefler Text";"></span></span></div>
<span style="font-size: large;">
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<br /></div>
<span style="font-size: large;">
</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Once
there was baptism in the public pool, a bunch of people up to their armpits in
the water, formally dressed and then dunked. That strangeness, surrealism,
community and inclusion felt appropriate to our event, too. We never felt we
were in over our heads, though. Because it was a wrld that we were making and
it was outside of mainstream concerns.</span><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Hoefler Text"; mso-fareast-font-family: "Hoefler Text";"></span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Stuart’
Ross’s Proper Tales was an exemplar and catalyst of that entire scene. I loved
how Stuart and his press published writers that he’d heard about from all over
(I learned about many US writers as well as those from all over Canada)—it was
always a sense of discovery. By being published by Proper Tales, new writers or
writers with considerable publishing behind them, all were invited to be part
of a community, part of an aesthetic and creative community, and thus, as a
reader of the press’s publications, a community that I was part of. The
chapbooks themselves had a sense of “house style” — even though they were
different, they shared some design elements in common and so all these different
voices entered into the larger discussion that was/is Proper Tales. </span><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Hoefler Text"; mso-fareast-font-family: "Hoefler Text";"></span></span></div>
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</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Proper
Tales was (is) a portral through which I was introduced to so many writers,
their writing, and even the techniques and influences of these writer. I
learned the remarkable fact that you could just publish the work you were
interested in, that you could gather works you found exciting under your own
imprint. And you could make the publication and design be in conversation with
the work, as well as, by implication, all the others you published, even if the
design choices weren’t ostentatiously or self-consciously wild, they were
sensitive and considered and had a very particular unifying energy.<span> </span></span><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Hoefler Text"; mso-fareast-font-family: "Hoefler Text";"></span></span></div>
<span style="font-size: large;">
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Also,
you could publish yourself as part of the conversation with the other works, with
the readers. It all was an ongoing conversation. An ongoing community. It has
been for 40 years. So far. </span><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Hoefler Text"; mso-fareast-font-family: "Hoefler Text";"></span></span></div>
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</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">And
Stuart sometimes sold his Proper Tales publications on the street. He told me
that once an older woman approached him and asked about his work. [Notice that
here I’m stealing Stuart’s great story.] Maybe that day Stuart was wearing his “Writer
going to Hell” sign. She bought a publication. Then he asked, “Do you write?” She
said she did. “Would I maybe have seen any of your work? What’s your name?” “Alice
Munro,” she said.</span><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Hoefler Text"; mso-fareast-font-family: "Hoefler Text";"></span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Once
Stuart was quoted in the <i>Globe and Mail</i>.
I can’t remember the quote exactly but it was something about how lack of
public funding couldn’t discourage small press.We’d all be seething and
squirming—or was it churning and burbling, bubbling and </span><span lang="DE" style="font-family: "Baskerville Old Face","serif"; mso-ansi-language: DE;">Gestetner</span><span style="font-family: "Baskerville Old Face","serif";">ing— beneath regular
culture, doing our thing regardless of financial concerns like funding or
markets. The idea was that this was a vital literature, a vital expression that
existed outside of the mainstream, outside of the market, outside of
capitalism. It was a rhizome, connected as if fungi, through an underground
network passing vital resources, information, news through the network and
efflorescing our strange beauty in surprising ways and places, always with an
ironic eye to “be[ing] ace, be[ing] trendy,” (to cite the Proper Tales’ slogan.)
That’s one of the proper tales of publishing for me. </span><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Hoefler Text"; mso-fareast-font-family: "Hoefler Text";"></span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">For
me, Proper Tales Press is one of the constants of contemporary Canadian writing
and publishing. It is like the beaver. The moose. Snow. Wide-leg jeans. (Think
I wore them in 1979!) How could we imagine this place (writing, Canada,
publishing) without it?<span> </span>It’s a stalwart.
A tall wart: a visible tumescence on the otherwise much flatter, blander
landscape. (That was a terrible metaphor!) But I value such things
greatly.<span> </span>Am inspired by them. (Not
terrible metaphors, though them, too.) But this specialized publishing
lifeform, this particular publishing creature that creates its own essental
niche, that contributes to the critical </span><span lang="IT" style="font-family: "Baskerville Old Face","serif"; mso-ansi-language: IT;">biodiversity</span><span style="font-family: "Baskerville Old Face","serif";"> of our culture. Not as big
as a yak but important as a bee. Yeah: Pollination. Also, don’t try yak honey.)
And other presses can attempt to be or not to be as ace and trendy as this
press in the same way or a different way, but they know it’s there. It has had
an influence even if they don’t know it—but they probably do, or, for sure,
should—just like other primordial small presses (from blewointment to grOnk,
Weed Flower. or Contact.) And Proper Tales continues, burning and churdling,
Gestubbling and troubling from Stuart Ross’s current urbanity in a house labled
FLAMBOYANT in Cobourg, Ontario. </span><span style="font-family: "Baskerville Old Face","serif"; mso-bidi-font-family: "Hoefler Text"; mso-fareast-font-family: "Hoefler Text";"></span></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">Happy
quadragenary, Proper Tales Press. You’re ace and trendy. And celebrated by
many, including cows. Rocks. Squirrels. 2nd Year University Students. Me. </span></span></div>
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<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-_qtDO6H1sEU/XTZFr7EIWGI/AAAAAAAAfR4/95AxDii6MB0MwA35LqhF3VDXmSATYzaGQCEwYBhgL/s1600/proper%2Btales%2Bbarwin.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="841" data-original-width="422" height="640" src="https://1.bp.blogspot.com/-_qtDO6H1sEU/XTZFr7EIWGI/AAAAAAAAfR4/95AxDii6MB0MwA35LqhF3VDXmSATYzaGQCEwYBhgL/s640/proper%2Btales%2Bbarwin.png" width="320" /></a></span></div>
<div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">The author of twenty-two books of poetry and fiction, <b>Gary Barwin</b> is a writer, musician and multimedia artist from Hamilton, Ontario and the author of the nationally bestselling novel, <i>Yiddish for Pirates</i> (Random House) which won the Leacock Medal for Humour and the Canadian Jewish Literary Award and was a finalist for the Governor-General’s Literary Award and the Scotiabank Giller Prize. His poetry includes <i>No TV for Woodpeckers</i> (poetry; Wolsak & Wynn, 2018), many chapbooks some with his own serif of nottingham editions, and <i>A Cemetery for Holes</i>, a poetry collaboration with Tom Prime (Gordon Hill, Fall 2019) and <i>For It is a Pleasure and a Surprise to Breathe: New and Selected Poems</i>, ed. Alessandro Porco (Wolsak and Wynn, Fall 2019.) A new novel, <i>Nothing the Same, Everything Haunted</i> will appear from Random House in 2021. <a href="http://garybarwin.com/">garybarwin.com</a></span></span></div>
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<div class="MsoNoSpacing">
<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif";">He
is the author of the Proper Tales Press title <i>Frogments from the Frag Pool</i> (1989).</span></span></div>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-11660449689341691492019-07-21T13:00:00.000-04:002019-07-21T20:54:34.644-04:00Proper Tales Press 40th anniversary essay: Jason Heroux<!--[if gte mso 9]><xml>
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<div class="MsoNoSpacing">
<span style="font-size: large;"><b><span style="font-family: "Baskerville Old Face","serif"; mso-ansi-language: EN-US;">A
Lesson from the Orphanage, Stuart Ross, and Proper Tales Press</span></b></span></div>
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<br /></div>
<span style="font-size: large;">
</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-hlEIrBAL7Xw/XTUIi-Pv-wI/AAAAAAAAfRA/0kEjHDjDDfg0VIH3UE0i-P4OUJHWye_sQCLcBGAs/s1600/thumbnail_Black%2BTrampoline%2Bon%2Bthe%2Bfloor.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="213" height="640" src="https://1.bp.blogspot.com/-hlEIrBAL7Xw/XTUIi-Pv-wI/AAAAAAAAfRA/0kEjHDjDDfg0VIH3UE0i-P4OUJHWye_sQCLcBGAs/s640/thumbnail_Black%2BTrampoline%2Bon%2Bthe%2Bfloor.jpg" width="425" /></a></span></div>
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<span style="font-size: large;"><span style="font-family: "Baskerville Old Face","serif"; mso-ansi-language: EN-US;">The first Proper Tales Press publication I purchased was
<i>A Lesson from the Orphanage and Other
Poems </i>(2003) by Bill Knott. It taught me something. </span><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif";">Bill Knott was
one of my favourite poets at the time. My well-used copy of <i>Surrealist Poetry in English</i> (Penguin,
1978) still has a bend in the spine, automatically springing the anthology open
where Bill Knott’s section starts (page 259), and </span><span style="font-family: "Baskerville Old Face","serif"; mso-ansi-language: EN-US;">I
remember searching high and low for Knott’s work: bookstores, libraries,
websites, thrift shops, yard sales. </span><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif";">Holding that particular Proper Tales Press publication
in my hand made me realize that </span><span style="font-family: "Baskerville Old Face","serif"; mso-ansi-language: EN-US;">when you’re desperate to find something you need, you
don’t have to keep running around in circles searching through the same old
hiding places, coming up empty every time. Instead, you can actually create the
thing you’re looking for. That’s the lesson I learned. <i>If something is missing from your life, find a way to produce it
yourself</i>. The way Stuart Ross did with Bill Knott’s poetry. By connecting.
Collaborating. Reaching out. Being involved. Stuart Ross did it way back then,
and continues doing it to this day. Publishing books that he, myself, and many
of you, want to read. Books that wouldn’t exist otherwise. It’s been 40 years,
and I’m grateful to see in this current culture obsessed with trends, fads, and
the latest, newest things, Proper Tales Press hasn’t changed at all.</span></span></div>
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</span><div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><a href="https://1.bp.blogspot.com/-jp2DbOgWeQ8/XTUIZI_LYOI/AAAAAAAAfQ8/ZNIaFyfEQYsfSPa1s1cDnTQdRV9Vk6k4gCLcBGAs/s1600/thumbnail_JH%2BPhoto.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="213" data-original-width="320" height="266" src="https://1.bp.blogspot.com/-jp2DbOgWeQ8/XTUIZI_LYOI/AAAAAAAAfQ8/ZNIaFyfEQYsfSPa1s1cDnTQdRV9Vk6k4gCLcBGAs/s400/thumbnail_JH%2BPhoto.jpg" width="400" /></a></span></div>
<div class="MsoNoSpacing">
<span style="font-size: large;"><a href="http://jasonheroux.blogspot.com/"><b><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; mso-fareast-font-family: "Times New Roman";">Jason Heroux</span></b></a><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; mso-fareast-font-family: "Times New Roman";"> is currently the Poet Laureate
for the city of Kingston, Ontario. His most recent book is <i>Amusement Park of Constant Sorrow</i> (Mansfield
Press, 2018).</span></span></div>
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<br /></div>
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</span><div class="MsoNoSpacing">
<span style="font-size: large;"><span lang="EN-CA" style="font-family: "Baskerville Old Face","serif"; mso-fareast-font-family: "Times New Roman";">He is the author of the Proper Tales
Press title <i>Black Trampoline</i> (2015).</span></span></div>
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-741717746155367036.post-50910833245976170582019-07-17T13:00:00.000-04:002019-07-18T09:37:19.272-04:00Proper Tales Press 40th anniversary essay: John M. Bennett<!--[if gte mso 9]><xml>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">Stuart Ross & Proper Tales Press</span></b></div>
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<a href="https://1.bp.blogspot.com/-3pkvkdjr-JI/XTB0YzpqXvI/AAAAAAAAfOY/iSjBkPbAAYgQBBlKncuIejqo2_mfuukNwCLcBGAs/s1600/Antpath%2Bscan_20190718_0001.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1031" height="400" src="https://1.bp.blogspot.com/-3pkvkdjr-JI/XTB0YzpqXvI/AAAAAAAAfOY/iSjBkPbAAYgQBBlKncuIejqo2_mfuukNwCLcBGAs/s400/Antpath%2Bscan_20190718_0001.jpg" width="257" /></a></div>
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<span style="font-size: 12.0pt;">I first became acquainted with
Canadian poetry in 1960 & 1961, when I was working on various
archaeological projects in Southern Saskatchewan.<span style="mso-spacerun: yes;"> </span>Being a poet, whenever I was in a town with a
bookstore, I looked through the poetry sections, and found work I really liked
– for example, Leonard Cohen's early pre-rockstar books, and probably Victor
Coleman.<span style="mso-spacerun: yes;"> </span>By 1980, I was in contact with
several poets; Gary Barwin, jwcurry, Lillian Nekacov, Greg Evason, and others,
all of whom impressed me with their innovative and avant-garde writings.<span style="mso-spacerun: yes;"> </span>One of those poets was Stuart Ross.<span style="mso-spacerun: yes;"> </span>His magazine <i>Mondo Hunkamooga</i> helped
open many windows into a scene of avant-garde literary activity that I could
not find in such concentration at the time in the US.<span style="mso-spacerun: yes;"> </span>I'm pretty sure we met (forgive my aging
memory) when I took a trip to Toronto in 1980 or thereabouts to meet him and
several others.<span style="mso-spacerun: yes;"> </span>His own work has a sense
of irony, humor, and serious playfulness that continues to impress me, as does
his indefatigable activity as a publisher and poetry promoter.<span style="mso-spacerun: yes;"> </span>In 1984, Stuart published, in his Proper
Tales Press, my chapbook <i>Antpath</i>, which remains one of my favorites to
this day.<span style="mso-spacerun: yes;"> </span>The Canadian poetry scene is
unique and full of strong voices, and I owe Stuart much gratitude for including
my non-Canadian but admiring voice among them.</span></div>
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<span style="font-size: 12.0pt;">John M. Bennett</span></div>
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<span style="font-size: 12.0pt;">July 2019</span></div>
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<a href="https://1.bp.blogspot.com/-CzaUFl__GqM/XTB0SW28DiI/AAAAAAAAfOU/q6f1MPckuHI5Qq1w1UqqGp5nGVTABxZ-ACLcBGAs/s1600/IMG_20170416_124731105%2B%25282%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="660" data-original-width="427" height="400" src="https://1.bp.blogspot.com/-CzaUFl__GqM/XTB0SW28DiI/AAAAAAAAfOU/q6f1MPckuHI5Qq1w1UqqGp5nGVTABxZ-ACLcBGAs/s400/IMG_20170416_124731105%2B%25282%2529.jpg" width="258" /></a><span style="font-size: 12.0pt;"><a href="http://www.johnmbennett.net/"><b>John M. Bennett</b></a> has published over 400 books and chapbooks of poetry and other materials. He has published, exhibited and performed his word art worldwide in thousands of publications and venues. He was editor and publisher of <i>LOST AND FOUND TIMES </i>(1975-2005), and was Founding Curator of the Avant Writing Collection at The Ohio State University Libraries. Richard Kostelanetz has called him "the seminal American poet of my generation." His work, publications, and papers are collected in several major institutions, including Washington University (St. Louis), SUNY Buffalo, The Ohio State University, The Museum of Modern Art, and other major libraries. His PhD (UCLA 1970) is in Latin American Literature.</span></div>
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<span style="font-size: 12.0pt;">He is the author of the Proper Tales Press title <i>Antpath</i> (1984). </span></div>
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rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0